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The Yellow Wallpaper A Woman

The Yellow Wallpaper: A Woman’s Struggle Essay, Research Paper


The Yellow Wallpaper: A Woman’s Struggle


Pregnancy and childbirth are very emotional times in a woman’s life and many


women suffer from the “baby blues.” The innocent nickname for postpartum


depression is deceptive because it down plays the severity of this condition.


Although she was not formally diagnosed with postpartum depression, Charlotte


Perkins Gilman (1860-1935) developed a severe depression after the birth of


her only child (Kennedy et. al. 424). Unfortunately, she was treated by Dr. S.


Weir Mitchell, who forbade her to write and prescribed only bed rest and quiet


for recovery (Kennedy et al. 424). Her condition only worsened and


ultimately resulted in divorce (Kennedy and Gioia 424). Gilman’s literary


indictment of Dr. Mitchell’s ineffective treatment came to life in the story


“The Yellow Wallpaper.” On the surface, this gothic tale seems only to relate


one woman’s struggle with mental illness, but because Guilman was a prominent


feminist and social thinker she incorporated themes of women’s rights and the


poor relationships between husbands and wives (Kennedy and Gioia 424).


Guilman cleverly manipulates the setting to support her themes and set the eerie


mood.


Upon first reading “The Yellow Wallpaper,” the reader may see the relationship


between the narrator and her husband John as caring, but with examination one


will find that the narrator is repeatedly belittled and demeaned by her


husband. On first arriving at the vacation home John chooses the old attic


nursery against his wife’s wishes and laughs at her when she complains about


the wallpaper (Kennedy et al. 424,425). In Charlotte Bronte’s novel }{plain


ul Jane Eyre}{plain , Mr. Rodchester uses his at

tic to keep his insane wife


hidden from the rest of the world. John’s actions can easily be interpreted


with the same malice. The narrator’s insistence that John is a caring and


loving husband draws special attention to the true meanings behind his word’s


and actions. Would a man deeply concerned for his wife’s mental state


constantly leave her alone to tend after patients with “serious” conditions


(Kennedy et al. 426)? Any time John speaks to his wife, he uses the third


person voice or refers to her as “little girl” or some other term of endearment


(Kennedy and Gioia 430,431). He never uses her name, therefore he never really


recognizes her as a person nor an equal. This dialog can easily be compares to


one between a parent and his child. Because the room was an old nursery this


idea is strongly enforced. Hance, there is no oddity in the fact that the


narrator comes to think of herself as a child (Twentieth 111). She comments


on the fact that the children tore the wallpaper and later admits to doing it


herself (Kennedy et al. 426,428). Her regression is also demonstrated by her


comparison of her present room with the bedroom of her childhood (Kennedy and


Gioia 427,428).


The underlying theme of woman’s rights emanates from every part of “The Yellow


Wallpaper.” In an essay by Elaine R. Hedges, she points out how the wallpaper


symbolized the gross lack of women’ rights (Short 119). The yellow “smooches”


that Jennie finds on the clothes of the narrator and her husband, symbolize the


stain that this social situation leaves on everything it touches (Short 120).


Though she tries to…


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