РефератыИностранный языкAnAntonio Vivaldi Music Essay Research Paper Throughout

Antonio Vivaldi Music Essay Research Paper Throughout

Antonio Vivaldi Music Essay, Research Paper


Throughout history there have been many distinct periods of time. These


various eras are all alike in a way because they all slowly flow into each


other. One of these unique times was called the Baroque period. The Baroque


time began during the 1600’s and ended early during the early 1700’s. The


way Baroque music was looked at was varied depending on where you looked at


it from. In Italy, it was largely energetic and spectacular. Yet, if you


were to travel North, you would encounter the “gloom’s of muted firelight.”


This, along with the “shadowy pales of another world,” simply means that


this music wasn’t greatly appreciated in Southern Italy, as it was more


towards the North. The people of the North were not as affectionate


towards this type of music. Although, the more time that had passed in the


1600’s, the more popular the baroque music became. It was greatly adored by


the listeners. The beauty that this type of music contained was extremely


astonishing. Also the drama in this type of music and theatre was what made


this time stand out from the rest.


The actual term “baroque” is extracted from “baroco” which is a name used


by medieval philosophers to identify a reasoning that writers of the 16th


century found absurd and pointless. On the contrary, Baroque music is far


from being absurd or pointless. The word “baroque” is derived from that or


from the word “barrochio” that is an Italian word used since the middle


ages to indicate shifty or tricky procedures. Wherever it’s beginnings, the


word “baroque” had been used since the 18th century to indicate paintings,


poems, architecture, literature, and all else that is dynamic, dramatic,


and to some eyes, astonishing and incredibly even ugly. This really comes


to a surprise to me because I’ve listened to baroque music like Antonio


Vivaldi and Johann Sebastian Bach and none of the music struck me as being


“ugly.” The first word that came to mind when I was listening was “relaxing.”


Like all other music, there are some people that think higher of it then


others. Sir Francis Bacon said, “^?I cannot but be raised to this


persuasion, that this third period of time will far surpass that of the


Grecian and Roman learning^?” After reading this quotation you can clearly


see that Sir Francis Bacon thinks the Baroque time is far superior to the


Grecian and Roman periods. The basis of his opinion probably rests on the


fact that he has seen artwork, or heard music from the other two times he


had compared to the Baroque period (the Grecian and the Roman.)


The Baroque time itself was filled with musical geniuses. People like


Johann Sebastian Bach, Georg Philip Telemann, Johann Pachelbel, Franz Josef


Haydn, and Georg Frideric Handel. All of these people, were amazing when


holding an instrument, sitting at a piano, or writing on manuscript paper,


but the finished products (whatever they might be) were and always will be


superb. Among these people, was Antonio Vivaldi.


Antonio Vivaldi was born on March 4, 1678, and on May 6, 1678 he was


baptized by a mid-wife, because she was afraid he might die. This woman’s


name was Madama Margarita. Antonio Vivaldi’s mother Camilla, the daughter


of a Venetian tailor Camillo Calicchio, marries Gianbattista Vivaldi on


August 6, 1677. Due to the stato libero, Antonio was presumably born


prematurely, and declared to be free from any impediment from matrimony,


also because he was not baptized in church until two months after his


birth. Antonio Vivaldi, being a sickly child from the very start was ill,


and in fear of his death before being baptized, Madama Margarita had had


him baptized.


The people, who studied and researched Antonio Vivaldi, in trying to trace


back his family history, could not trace back any farther than his paternal


grandparents, who lived in Brescia. Their son Giovanni Battista (or


Gianbattista) was born in 1665, and when he was ten, his mother took him to


Venice, presumably on the death of his father. Originally Vivaldi’s dad had


become a barber, but he was also an accomplished violinist. Which makes it


easy to understand where Antonio got his musical talent from (especially


with the violin.)


Antonio Vivaldi’s output was enormous. He wrote 94 operas, and although

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theses are rarely revived, 19 of them are preserved. He had written around


500 concertos. It is said that he invented the ritornello form. This is


where varied restatements in different keys of a refrain, alternate with


modulating episodes of free thematic character, where a soloist


predominates. If he did not invent this, he was certainly the first to use


this technique . If can be found in almost all of his works. The same is


true with the three-movement plan. Several occasional features of Vivaldi


concertos were taken farther and standardized by his successors. Some of


his successors were the northern Italians, including Tartini and Locatelli.


These men often used Antonio Vivaldi’s techniques and strategies for their


own personal musical interpretations.


Roughly 350 concertos are for one solo instrument and strings, over 230 of


them were made for the violin (this alone, shows Antonio Vivaldi’s love for


the instrument.) Other solo instruments (in descending order of frequency)


are bassoon, cello, oboe, flute, viola d’amore, recorder, and mandolin.


There are 40 double concertos (meaning it was written for two different


instruments in particular,) mostly for two similar instruments but


including such rare combinations as viola d’amore and lute. He also really


liked, and wrote often, ensemble concertos, in which three or more soloists


participate, number over 30 and introduces, among other instruments,


clarinets, therbos, horns and timpani, also did this.


Antonio Vivaldi also has his own original way of interpreting his thoughts


into his music. He will start out with an idea. Then, think of the music in


his head,which comes to mind when thinking of his idea. After that, he


writes down his ideas on manuscript paper and changes voices and other


noises into instrumental riffs and parts in the piece. For example, in the


central movement of the


“Spring” concerto, we hear simultaneously a sleeping shepherd (solo


violin,) a rippling brook (orchestral violins,) and a vigilant sheepdog (a


viola.) This is just one of many examples of his outer surroundings


interpreted into his music.


Going back to the baroque period, this is how that period of time and


Antonio Vivaldi tie together. Approximately 90 of his sonatas are by in


form and style reflecting the life and culture of Italy during the time of


Baroque. The special role of what was going on in Italy could easily be


interpreted through his music. His most interesting sonatas are probably


the ones written for groups of two violins performable without bass. These


are the ones that sound the most acoustic. It sounds like this because of


the absence of the bass.


Antonio Vivaldi died in July of 1741. The exact day of his death


is unknown (like his birth date) but he was buried on July 28, 1741. The


Italian composer was a major figure in Baroque music and he exercised a big


influence on the development of the concerto. His techniques and strategies


will be looked at and admired for years. His style has and will be mimicked


and redone. Antonio Vivaldi’s music was forgotten for a century after his


death. Yet, after his death, Johann Sebastian Bach had arranged a number of


Antonio Vivaldi’s concertos for the keyboard. As predicted, before his


death, his work was copied. Johann Sebastian Bach, a talented composer need


not use the work of others yet took it upon himself to use the previously


done work of Antonio Vivaldi, and arrange what he had done, for the


keyboard. Large quantities of Antonio Vivaldi’s works have been found


since the 1920’s and they are now widely published, performed, and


recorded. Even though directly after his death Antonio Vivaldi was in a


way forgotten about, he will always be remembered and honored as his works


play throughout churches, studios, and homes throughout the globe.


Endnotes


1) http://www.islandnet.com/~arton/baroque.html


2) http://www.columbia.edu/~ijhl/vol1no1.html


3) http://www.islandnet.com/~arton/baroque.html


4) http://www.columbia.edu/~ijhl/vol1no1.html


5) http://weber.u.washington.edu/~acamp/music/baroque.html


6)Vivaldi, Alan Kendall, p.13, 1978


7)Baroque, Harold Kellwroth, p.212, 1982


8)Baroque, Harold Kellwroth, p.245, 1982


9)Vivaldi, Alan Kendall, p.11, 1978

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