РефератыИностранный языкMeMedea Essay Research Paper Literary Criticism SummaryAccording

Medea Essay Research Paper Literary Criticism SummaryAccording

Medea Essay, Research Paper


Literary Criticism Summary


According to the editor Currer Bell, the novel Wuthering Heights may seem rather


crude and unintelligible to those who know nothing of the author. Strangers who are


unacquainted with the setting where the story takes place, or who are unfamiliar with the customs


of the time may also look at Wuthering Heights with a critical eye. “To all such Wuthering


Heights must appear a rude and strange production” (Bell 5).


Readers may feel that the manners, language, and the very dwellings of the characters


are somewhat “repulsive” (Bell 5). People who are perhaps calm and collected will “have no idea


what to make of the rough, strong utterance, the harshly manifested passions, the unbridled


aversions, and headlong partialities” (Bell 5). Many people have been taught carefully to observe


the evenness of language and manner, and it is these people whom the roughness will shock .


The entire novel is regarded for its rusticity. “It is moorish, and wild, and knotty as the


root of heath” (Bell 5). However, Currer Bell insists that this is exactly the way the novel should


be. The author was a product of these wild and rustic moors, and it is quite natural that she writes


about what she lived in. “Her descriptions, then, if natural scenery, are what they should be, and


all that they should be” (Bell 6).


The author herself was not a very social person. She looked upon most


people with benevolence, but there were very few instances where she interacted with them on a

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personal level. However, this did not stop her from accurately identifying the ways, language, and


family history of most people. “She could hear of them with interest, and talk of them with detail,


minute, graphic,and accurate; but with them she barely exchanged a word” (Bell 6-7). Her


imagination was dismal yet powerful.


Still, there are certain examples in Wuthering Heights that bring a sort of brightness to


the other dreary aspects of the novel. The character of Nelly Dean is an example of tenderness


and compassion. In the character of Edgar Linton one can see a sense of constancy and


thoughtfulness. Also, “some glimpses of grace and gaiety animate the younger


Catherine” (Bell 8). Even the first Catherine possesses strange sort of beauty in the midst of all


her intense passion.


Heathcliff possesses only one characteristic that shows he is in fact human. It is not his


love for Catherine, which is wild and fierce, but it is his, “rudely confessed regard for Hareton


Earnshaw- the young man whom he has ruined; and his half -implied esteem for Nelly Dean”


(Bell 8). If it weren’t for these mere examples, we would look upon Heathcliff as a child purely of


corruption.


Wuthering Heights was a novel formed out of poor materials with simple tools, yet it


reflects an amazing sense of power. There was no model for it except the visions of the


author’s mind. It took time and effort, but the novel took on a human form and there it stands


dark and mighty, radiating a sense of strength and charm.

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