’s Concept Of The Uncanny Essay, Research Paper
Freud?s Concept of the Uncanny
When a person experiences chills or goose bumps as a
reaction to something strange or unusual, they are being
affected by a sense of uncanniness. The psychoanalyst
Sigmund Freud endeavored to explain this feeling of
uncanniness in his essay entitled ?The Uncanny?. Freud?s
theory focuses around two different causes for this
reaction. Freud attributes the feeling of uncanniness to
repressed infantile complexes that have been revived by some
impression, or when primitive beliefs that have been
surmounted seem once more to be confirmed.
The first point of his theory that Freud discusses in
the essay is the repression of infantile complexes that
cause an uncanny experience. Freud uses E.T.A. Hoffman?s
short story, ?The Sandman?, to explain the idea of
repression of infantile complexes. The story centers around
the character of the Sandman, who steals the eyes of
children. Freud states that the fear that the character
Nathaniel feels towards the Sandman has more to due with an
infantile castration complex than with the actual fear of
losing his eyes. In Freud?s theory he states that the ?Study
of dreams, phantasies and myths has taught us that a morbid
anxiety connected with the eyes and with going blind is
often enough a substitute for the dread of castration?(Freud
383). If Freud?s belief is true, than it is Nathaniel?s
fear of castration that causes him in the end to go mad and
throw himself from parapet. Nathaniel?s fear is embodied in
the character of the Sandman, whom Freud says represents
Nathaniel?s father, and thus is the cause of his fear of
castration. The Greek tragedy Oedipus Rex would also be
affected by Freud?s theory. When examining Oedipus? action
of blinding himself once he hears the truth about his
parentage, it would have to be determined that he blinds
himself as a symbolic castration. This statement is
supported by the laws of ancient Greek society which would
have called for his castration due to the incest with his
mother.
While the infantile castration complex is the only one
Freud goes into detail with in the essay, there are many
others that would cause uncanniness if they were revived.
The reason for this is that once the child grows up these
complexes are hidden deep within the subconscious and are
totally without logical reason. The adult does not realize
that he fears castration, instead he can only rationally
explain his fear as that of being blinded. The feelings of
childhood remain with us throughout adult life but they are
only faintly perceptible, and this too can cause
uncanniness. The foggy remembrance of a sensation that can
no longer be grasped but still affects our emotions in ways
that we can not explain to ourselves.
The second point of Freud?s theory states that
uncanniness is experienced when primitive beliefs which have
been surmounted seem once more to be confirmed. These
surmounted beliefs are usually beliefs concerning the
after-life, magic, and other such supernatural things that
were once part of early man?s belief system. This part of
his theory is closely connected to superstition. For
example, most modern individuals do not believe in the
existence
question arises then, why would a blessing be necessary
without the fear of an evil or simply supernatural presence
in the house? To explain this part of his theory Freud
focuses a great deal on our relation to death. He states
that ?there is scarcely any other matter…upon which our
thoughts and feelings have changed so little since the
earliest times, and in which discarded forms have been so
completely preserved under a thin disguise?(Freud 395).
A modern day example of the idea of death causing
uncanniness can be found in the recent film, The Sixth
Sense. This film deals with ability of a little boy to see
the spirits of dead people all around him. The source of the
viewers? uncanniness is a result of more than simply fear,
it is as Freud states due to primitive beliefs that have
been surmounted, which are now being confirmed. The
audience which this film targeted most likely do not believe
in the spirits of the dead walking among the living, yet
many generations ago this was considered a valid belief.
For instance, an ancient Middle Eastern society that existed
in what is modern day Syria sometime around the Neolithic
era would bury dead relatives under the floor of their
houses because they believed that this would keep the family
member with them. They felt that the close proximity of the
corpse would enable the spirit of the deceased to reside in
the house.
The belief in spirits can also be found in the origin
of the holiday, Halloween. This holiday was created because
people believed that they could appease the spirits and
demons around them by offering candy, and also they felt
that by dressing their children up as these spirits and
demons the children would be safe from the supernatural
forces. The feeling of uncanniness inspired by the
reconfirmation of these primitive beliefs occurs because we
are not confident enough in our modern conceptions to
completely disregard our old belief systems.
Freud?s purpose for writing this essay was to explain
the psychological influences behind our reactions to those
things or events which we consider abnormal and uncanny.
While both the components of his theory are true, they are
not the exclusive reasons for a feeling of uncanniness, and
Freud admits this himself. For instance, the feeling that
deja vu causes is most surely one of uncanniness, yet it is
not a result of infantile complexes or from the resurfacing
of primitive beliefs. The reason that deja vu causes
uncanniness is because it is the knowledge of something in
the recesses of our memory that is unattainable in any
definite sense. Freud does indeed succeed in explaining two
very important causes of uncanniness, and they are easily
identified in literature and in society.
Freud believes that uncanniness is a result of
repressed infantile complexes and also the confirmation of
primitive beliefs. Freud?s observations are important
because they help us better understand our reactions and our
fears, which in turn help us better understand ourselves.
As long as people continue to gain some sort of pleasure
from enduring this sense of uncanniness, writers and film
makers will continue to use Freud?s methods to bring about
the uncanny.