Scott Key Fitzgerald
                  
(1896-1940)
     Francis
Scott  Key  Fitzgerald,  one of  the  most outstanding
American
writers of  the  lost generation,  was  born  in  St. Paul,
Minnesota,
in  the  family  of  unsuccessful  businessman. Yet  the 
money,
inherited  from  Fitzgerald’s  grandfarther, a  wealthy gro-
cer,
enabled  him  to  attend  Princeton,  a  university  for  well –
to 
do
Americans. The  cult of  success, popular  at  Princeton, lies  at
the
basis of  Fitzgerald dual attitude  to  the  rich. Influenced  by 
the  spirit of  competition  ruling  at  the  University, he  tried 
to join  the  most  fashionable  and  respectable students’
clubs, enjoying  their carefree, aristocratic,  idle  atmosphere. He 
was fascinated by the  independence, privileges and  elegance  that
money gave. Money gave style and ease and beauty. Poverty was mean,
gray and narrow. It is much  later  that he  found  out  the
falseness  of  his  belief.
     Fitzgerald
left  Princeton  without  a degree  because  of  illness 
and
poor grades. However, his literary career started  at  the
University. He  wrote  pieces  for  the  “The Tiger”, 
the  university 
magazine,
and  contributed  texts  to  several  campus  variety  shows.
     In
1917,  he  joined  the  army  as  a  second  lieutenant. All  his
life
he  regretted  the  fact  that  he  spent  his  time  in  service 
in American  training  camps  and  was  never  sent  to  the  war  in
Europe.
     His
major  novels  appeared  from  1920  to  1934:  “This  side of
 Paradise”  (1920) ,  “The  Beautiful  and  Damned”
(1922) , “The Great Gatsby”  (1925)  and  “ Tender
is the Night”  (1934). Fitzgerald’s  best  stories  have 
been  collected  in  four  volumes: 
“ Flappers
and  Philosophers “  (1920),   “Tales of Jazz Age”
(1922),
“All
the  Sad  Young  Men” (1926)  and  “Taps  at  Reveille”
(1925).
       The
main  theme  of  almost  all  Fitzgerald’s  fiction  is  the
attraction  and  the  corrupting  force  of  money. Once  he  said 
to
Hemingway
,  “The  very  rich  are  different  from  you  and  me”.
And  when  Hemingway  made  a  remark , ”Yes,  they  have  more
money “,  he  did  not  understand  the  joke. He  thought 
that  they were a special  glamorous  race  and  only gradually, 
moving  from  one  painful  revelation  to  another,  as  his  work
progressed,  he found  out  their  corruption,  inhumanity, 
spiritual emptiness  and  futility. He  found  it  out  together 
with  his heroes  who  are  largely  autobiographical.
      Fitzgerald
is  the  first  American  author  to  portray  the  lost generation,
a  generation,  for  whom  “all  the  battles  have  been  
fought“
and “all the gods were dead”. The  young  generation  has
no
ideals  to  uphold  against  the  corruption  of  the  rich. They 
are  empty  people  afraid  of  poverty  and  idolizing  richness,
trying  to  fill  their  spiritual  void  with  all  kinds  of  wild
entertainments.
                     
”The
Great  Gatsby” 
      Fitzgerald’s
best  work  “The  Great  Gatsby”  tells   the  life
story  of  Jay  Gatsby,  the  son  of  poor  farmer,  who  falls  in
love  with  a  rich  and  beautiful  girl  Daisy  Fay  who  answers
his  love  while  his  uniform  conceals  for  a  time  his  poverty.
When  the  war  is  over, she  marries  the  rich  and  elegant  Tom
Buchanan. Gatsby  devotes   his  whole  life  to  obtaining  money
and  social  position  to  make  himself  worthy  of  Daisy,  though
the  only  road  open  to  him  is  bootlegging  and  dealing  in
dubious  stocks.
      When
later  he  meets  Daisy  again,  she  is  impressed  by rumours  of 
his  incredibly  large  fortune,  his  mysterious  origin, his  rich 
mansion  and  his  gorgeous  and  fashionable  parties and makes him
believe  she would  leave Tom. Yet once , driving Jay  back  from 
New –York  to  Long  Island  in  his  car,  she  runs  over 
and  kills  Myrtle  Wilson,  her  husband’s  vulgar mistress.
Myrtle’s  husband,  whom  Tom  has  persuaded  that Gatsby  was
driving  the  car,  follows   Jay  and  shoots  him. Daisy,  having 
learned  about  Gatsby’s  dubious  source  of  income,  deserts
him  even  before  his  death,  notwithstan-
ding
the  fact  that  Gatsby  gallantly  takes  the  blame  of  Myrtle’s
 death  upon  himself.
       Gatsby’s
fanatic  attempt  to  reach  his  dreams  is  contrasted to   the 
disillusioned  drifting  life  of  the  cynical  members  of upper 
society  who  do  not  know  what  to  do   “this afternoon,
the  day  after  that  and  the  next  thirty  years ” ,   and 
whose existence  with  wild  parties  and  vulgar  merriment  is
compared to  the  terrible  grey   “ valley  of  ashes ” 
with  the  sordid  eyes  of  an  oculist’s  advertising  sign 
watching  the  gaudy  show. Fitzgerald  stresses  that  Gatsby’s
romantic dreams  of  the  vast possibilities  for  happiness  on  “
the  fresh  green  breast  of  the New  World ”  no  longer 
correspond  to  reality . 
       The
device  of  the  intelligent  and  sympathetic  observer  at the 
center  of  the  novel  allowed  the  author  gradually  to  expose 
the  moral  corruption  behind  the  false  structure  of upper  of 
Gatsby  class  respectability  and  splendour,  at  the same  time 
the  stature   of  Gatsby  gradually  growing  and achieving  almost 
poetic  elevation. Satire  in  the  portrayal  of  the   empty 
pleasures  of  the  rich  is  combined  with  lyrical atmosphere 
enveloping  Gatsby’s  romantic  dream.
       Thus,
if  Dreiser  was  the  scientist  dissecting  vast  cross- sections 
of  American  society  with  his  social  observations, Fitzgerald  
was  the  chronicler  of  its  moral  atmosphere. 
       Key
Fitzgerald
(1896-1940)
                       
                               Lebedev
Slava
11 form
       Theodore
Dreiser (1871-1945)
       Theodore
Dreiser  was  an  old  man  
of America. It was in July 1945. His whole life had been a
preparation for that step and a hard life it had been, too
!
       He
was  born  in  the  family  of  a  strict  Catholic,  narrow --
minded  and  despotic. It  was  because  of  his  farther  that  he
hated  religion  to  the  end  of  his  days. His  parents  were  not
rich. When  16  years  of  age,  he  left  home   to  earn  his 
living  in  Chicago,  which  at  that time  was  growing  into  a 
big  city. All  seemed  wonderful  to  the  young  lad. He  managed 
to  get a job,  but  it  paid  only  five  dollars  a  week,  besides
it  was  not what   he  wanted. He  was  eager  to  study. At  last 
he  was admitted   to  the  University. Yet  a  year  later  he 
left  it  because  of  financial  difficulties. It  was  in  those 
days  that  he  began 
 to
write  for  newspapers. But  it  was  not  so  easy  to  become  a
newsman. He  had  to call  at  the  offices  many  times  before  he
got  some  work .
       In
1900  his  first  novel  “ Sister  Carrie ”  appeared 
and  was immediately  withdrawn  from  print  by  the  publisher. The
author  was  severly  attacked  by  critics. The  novel  was
pronounced  “immoral”. 
        Dreiser
could  not  long  get  over  the  failure  of  his  first literary 
attempt. Only  after  a  lapse  of  nearly  10  years  in 1911  he  
published  his  “ Jennie  Gerhardt  ”  ,   also  the 
life story  of  girl. This  book  likewise  received  a  hostile 
reception due  to  alleged  immorality.  Dreiser  was  boycotted  by
publishers.
    Three
of  his  works , ” The Financier  “  (1912),  “
The  Titan ” (1914)  and  “ The  Stoic ”   ( which 
was  published  only  after  the  wri ters  death  in  1947 ),  give 
the  whole  life  story  of  an American 
capitalist,
showing  the  ways  in  which  the  wealth  of  big  capitalists  is
made.  “ The  Genius ”  (1915)  tells  of  the  fate  of
an  artist  in  the  bourgeois  world.
      He
described  his  visit  to  the  USSR  in  “ Dreiser  Looks  at
Russia ”  (1928) .
      Besides
 the  works  mentioned  above,  Dreiser  also published   several 
collections  of  short  stories.
      Dreiser
literary  work  occupies  an  important  place  in American  
critical  realism. His  novels  and  short  stories  give  a true 
picture   of  American  society  and  its  influence  upon  the life 
of  the  people.
      “ The
Financier ”,  “ The  Titan ” ,  and  “ The 
Stoic  ” compose  “ The  Trilogy  of  Desire ” . 
Its  purpose  was  to  show  the  ways  and  practices  of  American 
big  business  at  the  turn of  the  20-th  century .
       Frank
Cowperwood  -  a  chief  character  of  all  the  three 
novels
is  a  representative  of  a  big  business. “ The  Financier
” gives  a  broad  panorama  of  American  social  life. 
Cowperwood begins  his  career  by  titling  against  the  ruling 
clique  in Philadelphia. He  suffers  a  defeat  and  is  thrust 
into  jail. Having served  his  term  he  continues  his  struggle 
and  using  a  chance becomes  a  millionaire  again,  goes  to 
Chicago  and  looks  for  a greater  field  of  financial  activity.
There  is  no  problem  of moral  or  conscience  for  him  when 
there  is  a  chance  to  get money.
      “ The
Titan ”  portrays  Cowperwood   as  a  businessman  with  a 
perfect  knowledge  of  all  ins  and  outs  of  financial world. He 
artfully  bribes  all  high  officials  and  becomes  owner of   the 
Chicago  tramway. Cowperwood   rolls  in  wealth  but  his appetites 
are  insatiate.
        Cowperwood
s  life  story  is  brought  to an end  in  the third  part  of  the 
trilogy  -  “ The  Stoic ” . The  novel  remained
unfinished. The  action  is  laid  in  London  where  Cowperwood  
is
engaged  in  the  construction  of  a  subway. Here  he  is
different: in  the  previous 
 two
novels  the  writer  sympathized  with  his  hero,  portraying  him 
as  a  man  of  wide - ranging  enterprise. In  the  “ Stoic ”,
Cowperwood   is  a  typical  shark  of  capitalism.  He  is  an
unprincipled  in  business  dealings  as  he  is  immoral  in  love
affaires. In  the  last  years   of  his  life  the  bitter  truth 
grows upon  him  that  the  chase  for  money  and  big  business  to
which  he  has  devoted  all  his  life  are empty  things. His
disillusion  in  life  soon  brings  him  to  death.
      “ An
American Tragedy ”  is  Dreiser”s   masterpiece. It 
marks a  new  step  in  Dreiser”s  work.
        The
novel  speaks  of  the  fate  of  a  common  American, Clyde 
Griffiths. His  parent”s  are  failures  in  life  and  make 
their  living  in  the  streets  of  Kansas  City,  singing   psalms.
Clyde  is  tormented   by  the  poverty  and  his  fantasy  is set 
astir  by  the  luxury. Sincerely  believing  that  wealth  alone 
makes people  happy  he  determines  to  pave  his  way  to  fortune.
He detests  hard  work,  prefers  to  make  money  in  an  easy 
manner and  begins  his  life  as  a  bellboy  in  a  luxurious 
hotel. His  way of  life  and  of  making  money   lead  him  to  a 
crime.  Clyde  is arrested  and  put  to  death  on  the  electric 
chair.
        Clyde
Griffiths”   fate  is  characteristic  of  the  world  in
which  he  was  brought  up.  Spiritually  backward,  with  no ideals
but  a  longing  to  get  success  in  the  world  that surrounds 
him  for  he  sees  that  by  honest  labour  he  would never  become
rich  enough  to  enter  the  world  of  pleasure  and  luxury. He 
sees  that  when  a  man  becomes  rich  nobody dares to  find  out 
the  source  of  his  riches.
He
sincerely  hopes  that  his  marriage  to  Sondra  would  solve all 
his  problems  and  cover  up  his  past. The  ammoralizing  effect 
of  the  environment  leads  Clyde  to  a  tragedy,  which  is not 
his  personal  tragedy,  but  the  one  of  an  average  American.
Due  to  the  great  artistic  power  with  which  Dreiser presented 
this  typical  case, “An  American  Tragedy ”  is in full
justice  regarded  as  one  of  the  best  books  in  American
literature.