РефератыИностранный языкWhWhat S Wrong With Television Violence Essay

What S Wrong With Television Violence Essay

, Research Paper


Clearly, something is wrong. Broadcasters are licensed to serve “the


public interest, convenience and necessity.” They are paid to deliver


receptive audiences to their business sponsors. Few industries are as


public relations-conscious as television. What compels them to endure


public humiliation, risk the threat of repressive legislation and invite


charges of undermining health, security and the social order?


The usual rationalization that violence delivers the goods — it “gives


the audience what it wants” — is disingenuous. As the trade knows well


and as we shall see, violence as such is not highly rated. That means


that it coasts on viewer inertia, not selection.


Unlike other media use, viewing is a ritual; people watch by the clock


and not by the program. To the limited extent that some programs have a


larger share of certain time-slots and can, therefore, extract a higher


price for commercials, violent programs in those time slots may yield


the broadcaster some marginal profits. For a robust industry, sensitive


to pub

lic and legislative criticism, those incremental profits are


hardly worth the social, institutional and political damage violent


programs exact.


Something is wrong with the way the problem has been posed and


addressed. A virtual obsession with asking the wrong question obscures


the factors that in fact drive violence and trap the industry in a


difficult dilemma. The usual question — “Does television violence


incite real-life violence?” — is itself a symptom rather than


diagnostic tool of the problem. Despite its alarming implications, and


intent, or perhaps because of them, it distracts from focusing on the


major conditions producing violence in society and limits discussion of


television violence to its most simplistic dimension.


Violence is a complex scenario and social relationship. Whatever else it


does, violence in drama and news demonstrates power. It portrays


victims, as well as victimizers. It intimidates, as well as incites. It


shows one’s place in the “pecking order” that runs society. And, it


“travels well” on the world market.

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