Othello, The Moor Of Venice Analysis Essay, Research Paper
Othello, the Moor of Venice
Throughout history, powerful empires with boundless control have had a tendency to fall victim to corruption. Power corrupts and absolute power corrupts absolutely. William Shakespeare’s “Othello, the Moor of Venice” contains several themes, but one theme in particular supports the truth of this knowledge. In “Othello, the Moor of Venice,” the theme of control is one that causes corruption. Othello’s control is stolen by Iago and, Iago’s overbearing control of Othello’s emotions causes chaos and absence of control until Lodovico arrives at the end of the story.
At the beginning of the play, Othello is in control. First of all, he is appointed by the Duke of Venice to lead the Venetian forces. Having military leadership entails a great deal of control. As general, Othello has the power to organize and order the Venetian forces at will. Secondly, Othello has control in dangerous predicaments. After discovering the harmful intentions of Brabantio, Othello shows confidence of his control in Act I, Scene 2, and relies on his credentials: “Let him do his spite. My services which I have done the signiory Shall outtongue his complaints.” When Brabantio arrives with his troops and both sides draw their swords, Othello demonstrates his control again: “Keep up your bright swords, for the dew will rust them.” Through the whole ordeal, Othello remains an authoritative figure. Finally, Othello is mentally in control of his relationship with Desdemona. At the beginning of the play, there are no indications of mental corruption in Othello’s mind regarding his ability to maintain loyalty from Desdemona. Othello speaks of their love in Act I, Scene 3: “She loved me for the dangers I had passed, And I loved her that she did pity them”. He believes in his wife’s loyalty. All around, Othello is in complete control at the beginning of the play, but this changes dramatically.
Iago is often regarded as Shakepeare’s most consummate villain. Iago’s first attempt to gain control is a retaliation against Othello’s promotional. When Michael Cassio is chosen for the position of lieutenant, Iago becomes furious and tries to place Othello in danger. Iago informs Brabantio of Othello’s elopement with Desdemona in a very clever way: “‘Zounds, sir, you’re robbed. For shame, put on your gown, Your heart is burst, you have lost half your soul. Even now, now, very now, an old black ram is tupping your white ewe.” Iago uses sexual imagery to fuel Brabantio’s anger. The extra anger caused by Iago has a potential of harming Othello. When this evil scheme fails, Iago results to a new plan. In Act II, Scene 1, Iago convinces Roderigo that Desdemona actually loves Cassio, and p
Iago’s control of Othello’s emotions grows with every step of Iago’s destructive plan, but this progressive control soon invites corruption. Corruption follows with a series of tragic events. First, Othello becomes overwhelmed by Iago’s lies and he becomes unable to control his own actions. Othello strikes Desdemona after she makes a statement that is misunderstood: “To atone them, for the love I bear to Cassio.” Secondly, in fear that Roderigo will give him up, Iago kills Roderigo when their murder plan to kill Cassio fails. Third, in the last scene, Desdemona begs Othello not to kill her: “Kill me tomorrow, let me live tonight!” Desdemona’s pleading is unsuccessful and Othello strangles her to death. Later, when Emilia tells Othello, “O thou dull Moor! That handkerchief thou speak’st of I found by fortune and did give my husband,” Iago stabs and kills Emilia from behind. Next, Othello wounds Iago, stabs himself, and he dies while kissing Desdemona’s dead body. Lodovico arrives and the chaos ceases.
To summarize, one important theme in Shakespeare’s “Othello, the Moor of Venice” is the theme of control. The possession of control changes dramatically throughout the play. Othello’s control is stolen by Iago, and Iago’s overbearing control of Othello’s emotions causes chaos and the absence of control until Lodovico arrives at the end of the story. William Shakespeare’s Othello is a direct commentary on society. The theme of control in society is a prevalent view of society today.