РефератыИностранный языкBoBob Dylan Essay Research Paper Regarding significant

Bob Dylan Essay Research Paper Regarding significant

Bob Dylan Essay, Research Paper


Regarding significant musical movements in history,


more specifically


the twenty first century, few were more important than the


folk revolution that


took shape in the mid-nineteen hundreds. One of the


leaders of this


revolution was Robert Allen Zimmerman, known by his popular


assumed


name, Bob Dylan. Born in 1941 in Minnesota, Dylan grew up


the grandchild


of Jewish-Russian immigrants and had a surprisingly


unexceptional


childhood. His interest in music became evident in his


high school years


when he taught himself basic piano and guitar. From these


rudimentary skills


Dylan would build his knowledge and experience in music to


his present


status as a forefather of folk music in the rock era.


Accordingly, a song from


the pinnacle of his career embodies his style and poetic


capabilities, acting as


a reference point of the music it followed and the music


that was to come.


Sad Eyed Lady of the Lowland is an unmistakably remarkable


example of the


work of Bob Dylan in his finest hour.


To fully understand the influence of Bob Dylan on


the American folk


revolution and his importance in the pop culture of today s


youth, one must


first understand his background and development musically.


First of all Bob


Dylan was born in Minnesota, not a particular hub of


musical activity.


Author Bob Spitz makes a good point concerning Dylan s


birthplace.


History has taught us that no matter how we change the


environment it is impossible to change the man…After all,


anybody is as their land and air is….If that is so, it is


no


wonder that Bob Dylan became such a luminous amalgam


of showmanship and aloofness, spirituality and desolation,


eloquence and exaggeration, individuality and


schizophrenia. These seesawing extremes, among others,


are indigenous to the historical landscape of northern


Minnesota. (Spitz 9)


For others this might have been a setback but for Dylan it


was the perfect


environment to nurture his interests, in music


specifically. At the age of ten


he was writing poems and by thirteen was setting them to


music with


self-taught piano and guitar skills. Dylan s interest in


music continued to


climb as he entered Hibbing High School. During his high


school years


Dylan would become involved in musical productions and


attempt forming


many bands with such names as the Golden Chords and Elston


Gunn and His


Rock Boppers. He began to idolize such new rock stars as


Elvis Presley and


Jerry Lee Lewis to the point that his high school yearbook


listed his goal in


life as joining Little Richard . An eighteen year old


Dylan left his hometown


of Hibbing in the fall of 1959 for college at the


University of Minnesota,


Minneapolis. This would be his first taste of the big city


and the life that


awaited him.


The sight and sounds of the big city opened many


new vistas for the


young Dylan and he took advantage of his situation by


studying the roots of


contemporary rock. He began to listen to the works of folk


pioneers like


Hank Williams, Robert Johnson, and Woody Guthrie. At the


same time


Dylan was beginning to perform solo at local Minneapolis


night spots such as


the Ten O Clock Scholar cafe and the St. Paul s Purple


Onion Pizza Parlor.


During this time Dylan was honing his guitar skills and


harmonica work and


developing his famous nasal voice which would become his


trademark.


Halfway through his college career Dylan decided it


was time for a


move. He packed up and moved to New York City with two main


motivations. His primary motivation was to become part of


the Greenwich


Village folk-music scene which was burgeoning in the city.


His second


reason for moving was to meet his idle, Woodie Guthrie, who


was in a


hospital in New Jersey with a rare hereditary disease.


Dylan would succeed

r />

on both counts. Not only did he meet Guthrie but he became


a fixture at his


bedside. As well, Bob Dylan was now a recognizable name


among the folk


clubs and coffee houses of New York. Dylan had a


proficiency at learning


songs perfectly the first time he heard them which was


admired by his peers


that, along with tireless song writing, brought him much


acclaim. In the fall


of 1961 Dylan s life would change. A famous music critique


saw him


perform at Gerde s Folk City and raved the following day in


the New York


Times.


The result proved to be the break that Bob Dylan


had been looking for.


No more than a month after Shelton s review Dylan was


signed to a contract


with Columbia Records by John Hammond. Immediately Bob


began to select


material for his album debut. Unfortunately his debut


album only contained


two original pieces but obvious talent in the covers of


traditional folk songs


by Blind Lemon Jefferson and Bukka White. The reviews for


Dylan s first


album were not what he had hoped but set his fans up for


the surprise that his


second would have in store. The Freewheelin Bob Dylan,


his second


release, contained some of his best work, including


Blowin in the Wind .


This album marked strongly the emergence of one of the most


distinctive


voices and poetic masters of American popular music.


The next Bob Dylan albums would provide more of the


same. Each


one had a different perspective and topic matter. It was


on his seventh album,


though, that Bob Dylan wrote an entrancing song that


embodied his emotional


state at the time, both in lyrics and music alike. This


song is the Sad Eyed


Lady of the Lowlands.


Of the two elements of the song, lyrical and


musical, the lyrical is


definitely the most striking symbolically and poetically.


This song was the


first cut to fill an entire album side and makes clear the


importance he places


on relationships. The song is undoubtedly about his future


bride, Sara


Lowndess, and is revealing to the point that he disallowed


song verses to be


quoted in a book. The first line of the song begins the


deep symbolism when


saying the women s mouth is mercury. An alternate meaning


for mercury is


messenger. Furthermore, Dylan makes reference to the lady


as having eyes


like smoke and prayers like rhymes. This could be


interpreted as the women


giving prayers a new light as real poetry, a revelation


that may not have been


seen through her unclear eyes. As well, the lady s voice


is like chimes that


speak out for freedom for the lonesome hearted lover with


too personal a


tale (Dylan 1). Dylan then recalls streetcar visions, a


direct reference to


Tennessee Williams play A Street Car Called Desire. The


symbolism


continues throughout the song and is accompanied with music


that, while not


the best of his career, still defined the American folk


sound.


The music is acoustic once again after he made a


brief stint recording


with bands and electric guitars. The melody is simple and


flows throughout


the piece s seven minute length. There is minimal


background


accompaniment but what does exist advances the rhythm of


the song. Truly it


is Dylan s voice that is the essence of the song. His


raspy, nasal sound gives


the song character that it definitely would not have minus


his vocals.


The best information I can provide someone who is


interested in the


work of Dylan is to get any of his early albums and listen


to what today s


music started as. The folk movement of the late nineteen


fifties and early


sixties was led by a man who overcame a humble upbringing


and, through


hard work, created for himself the life he desired to


live. His music is revered


as classic and at the same time historical. His song, Sad


Eyed Lady of the


Lowlands , is a testament to that.

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