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An Analysis Of The Video

“Like A Prayer” By Madonna Essay, Research Paper


An Analysis of the Video "Like A Prayer" by Madonna


Madonna first arrived in the national popular culture in 1984 with


her song "Borderline". She moved very quickly in the ensuing years


to make several records (many of which have gone multi-platinum)


and to take several world tours with sold-out concerts, and has


caused quite a bit of controversy in what she has done in the


public eye. Examples include posing nude for Penthouse magazine


(and announcing afterwards that she was not ashamed for doing it),


marrying (and subsequently divorcing) actor and media-avoider Sean


Penn, creating a fashion trend (which was primarily popular with


teenage girls), and making truly atrocious movies which the


critics hated and the people refused to see (the only two


exceptions are Dick Tracy and Truth or Dare, her controversial yet


fascinating self-documentary about her tour of the same name). It


seems that Madonna seems to enjoy attention, good or bad, and it


seems like she feeds on her own controversy. Her songs, and the


music videos which accompany them, are no exception to this.


However, the things she does and the images she projects requests


contemporary society to reflect on itself, and to possibly


re-create itself in innovative and inventive styles. Perhaps she


always breaks with convention because she sees things in a


different light than the rest of society. This essay shall focus


on the video which accompanies the title track from her 1989


album, "Like A Prayer," which certainly had its share of


controversy.


Probably the most startling image in the music video was that of


several burning crosses on a lawn or a hill. These crosses were in


the background, while Madonna was facing the camera and singing.


When I saw the music video for the first time, this particular


section of the video made me sit up and intently watch my


television screen. The first things I thought about were, "She’s a


very outspoken woman for doing this! Boy, she’s got a lot of


nerve! I believe she was raised Catholic, and she’s making a


mockery of the Catholic Church by doing so! The Pope would be


offended, to say the least!" The radical approach to dispose of


any religion (or a person’s religious or pious fervor) is at least


shocking. The cross is the symbol of Christianity and all it


stands for. Seeing the cross engulfed in fire — which symbolizes


(and is) a destructive force — would be very disturbing for


anyone to see, Christian or not. I sat up and took notice, and I’m


not even Christian — I am Jewish. Furthermore, the fact that


Madonna is singing in front of the crosses

(and consequently, not


doing anything to stop the crosses burning) implies that she


condones cross-burning. This thought asks three questions. Does


she also condone the Ku Klux Klan, which also burns crosses? Does


she like the idea of religion and/or atheism in any way at all?


Does Madonna believe in God? These are all very deep and probing


questions, which can only be answered truthfully by Madonna


herself.


Another small piece of the music video showed Madonna kissing a


black man. While I personally feel that love is blind and has no


boundaries, a vast majority of America cocked an eyebrow to this


scene. In recent years, a television situation comedy and a major


motion picture have both built on interracial relationships as the


core of the storyline. "True Colors" was on the Fox Network, built


around a black man married to a white woman. Spike Lee’s movie


"Jungle Fever" also had a black man and a white woman. Lee’s


reason why he did a story of a black man and a white woman (and


not a white man and a black woman) was that the white woman has


been stereotyped to be the essence of all beauty, and that the


black man has been stereotyped to be a stud. (It is true that


films and television shows have been made which focused on


relationships between white men and black women; an example is the


film "Soul Man.") Does Madonna have any feelings for men of other


races? Should America care? Knowing Madonna’s sexual liberalism


(she "confessed" to having partial feelings for women in an


interview), has she and/or will she seek out alternative methods


to satisfy her sexuality and her sexual curiosity?


Both Madonna and the controversy she causes are interesting to


watch. The public keeps a sharp eye on what she does because she


is an outspoken individual who knows how to market herself to the


worldwide media. She always strays from the norm, and she always


gives her brash opinions on particular establishments, and acts on


those opinions afterwards. Many people have many opinions about


her, and many people speak their mind about her. This is what she


likes — to listen to people talking about her. She loves the


attention and uses it to her advantage. My opinion of Madonna is


that what she doesn’t have in pure talent (and I think that she’s


a little lacking in the talent department), she makes up for with


creativity, controversy, intelligence (she attended the University


of Michigan — called by some to be the best public school in the


nation) and sexuality (she is an extremely beautiful woman — I


saw her Penthouse layout) to literally guarantee an audience. It


is for this ingenuity that I respect her.

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