РефератыИностранный языкSaSatie Erik Essay Research Paper Satie ErikThe

Satie Erik Essay Research Paper Satie ErikThe

Satie, Erik Essay, Research Paper


Satie, Erik


The French composer Erik Satie was born on May 17, 1866, and died on


July 1, 1925, was the son of an English mother and a Parisian music publisher.


He entered the Paris Conservatory in 1879 but failed to benefit from


academic education, which he embarked on again only in his 40th year, when he


enrolled as a pupil of Vincent d’Indy and Albert Roussel at the Schola Cantorum.


Long before that, however, he had composed a number of short piano pieces, whose


eccentric titles and unfashionable and yet convincing simplicity of melody were


matched by an individual sense of harmony. It is still a moot point whether


Satie got his harmonic ideas from his fellow student and friend Claude Debussy,


or whether the debt was on Debussy’s side. It is quite clear, however, that


Satie’s tasteful principles influenced Debussy in the composition of his opera


Pelleas et Melisande and that Satie was the main influence in helping Debussy to


free himself from the musical domination of Richard Wagner. Satie became


interested in plainsong th

rough his association with a so-called Rosicrucian


group, while he earned his living as a cafe pianist in Montmartre.


Satie was a conscious eccentric and a determined enemy of all


establishments, including the musical. The comical titles that he attached to


his small piano pieces are characteristic of the Bohemian wit in the Paris of


his day. Irony and a deceptively childlike attitude, a dislike for pomposity of


all kinds, and an instinctive secretiveness were hallmarks of both the man and


his music. In 1916, Satie was befriended by Jean Cocteau and wrote the music


for a ballet, Parade, on which Pablo Picasso and Leonid Massine also


collaborated. By far the most important of Satie’s works is Socrate , an harsh


setting for four sopranos and chamber orchestra of Plato’s account of the death


of Socrates. The young composers who formed the essentially Parisian group


known as Les Six regarded Satie as a kind of tutelary genius, and in 1923 one of


them, Darius Milhaud, tried to found an “Ecole d’Arcueil,” named for the obscure


Paris suburb where Satie lived in extreme poverty.

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