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The Mountian And The Valley symbolism Essay

The Mountian And The Valley -symbolism Essay, Research Paper


The Mountain and the Valley :


The Symbolic Mountain of David’s dreams and hopes.


“The mountain slopes were less than a mile high at their


top-most point but they shut the valley in completely.”


(Buckner , 7). Our first view of the Mountain in Buckner’s


classic The Mountain and the Valley prepares us for its


importance throughout the novel. Its presence haunts David


throughout his life ; it is symbolic of fulfilment and


David’s desire to leave the Annapolis Valley, but due to


circumstances remains unsurmountable. The mountain is a


symbol that deeply influences Buckler’s narrative and t


pervades the story, by representing both David’s dreams and


inability to leave : beginning in his childhood, continuing


through his adolescence, his young adulthood, and finally


following him into the grave.


In his youth the protagonist of the story, David Canaan ,


is a sensitive boy who becomes increasingly aware of the


difference that sets him apart from his family and his


neighbours. He views his first trip to the mountain as a


large step in his life, even at the age of eleven. Buckner


portrays David’s childish delight (at finally being big enough


to go fishing on the mountain ) as an adventure : ” As they


came close to the mountain , it was so exciting that David was


almost afraid.” (Buckner 22) This attempt to scale the


mountain fails, as do all David’s attempts to climb the


mountain except his final one, “they were crossing the bridge


to start to climb the mountain when they heard the


voices”(Buckner 23). David’s father ends their excursion


because of the death of valley farmers Pete and Spurge. The


tragedy and death in the valley makes David’s journey to the


mountain impossible. Before he faces the news that he knows is


bad from the other valley men approaching , he must “touch it


, [the mountain road] anyway , before he knew indisputably


that the day was over” (Buckler, 34) , symbolically searching


for what he missed. The mountain, in David’s mind, represents


something better, or grander, than his rural valley life. The


prevailing theme of David not quite getting beyond the


mountain begins here, in his youth. Later in the novel, when


David is twelve , on the trek up to find a Christmas tree ,


David asks his sister Anna “If anyone walked through the


mountain , weeks and weeks, I wonder where he’d come out


…”.( Buckler, 56) The mystical question of what was beyond


the mountain is lingering in his mind even during this happy


moment, in David’s innocent youth.


The mountain throws its influence into childhood of


Anna, David’s twin sister, in a different way. Anna sees “A


rainbow arched from mountain to mountain”. (Buckler, 29). This


symbolises Anna’s later flight from the Valley and ability to


mesh – although she never quite gets it right- both the city


life of Halifax and her country existence in the Annapolis


Valley. The rainbow appears “almost faded over the valley”


(Buckler 22). This shows how Anna will become detached from


her childhood home, as she makes the premonition that she


later fulfils of marrying a sailor.


In David’s adolescence,the mountain takes on a more


defined shape in his mind. At age 13 ,”The mountain across


the lake looked like a far-off furniture of a dream.” (Buckler


88). David’s thoughts of his future, while pondering death


and helping his family fix the old graves in the cemetery,


are very positive. He shudders to think of Anna in the


cemetery, but does not picture himself there. He believes he


will be something great, and his dreams are still attainable


in his mind, and “the mountain looked to him as if , with one


great leap, he could touch it.” (Buckler , 88) Just as, when


he’s 14, “the afternoon, in a steady hush seemed to bring the


mountains closer” (Buckler, 96). David begins to push the


mountains, and what they represent, to the back of his mind.


His dreams are attainable and fulfilment of them an


inevitability of the future. Toby – the city boy from Halifax


who visits David (and is also a character foil of David)- is


introduced when they both are nearly sixteen. Toby becomes


David’s only friend, and doesn’t understand when David tells


him that “you can see everything” (Buckler, 138) from the top


of the mountain. Anna, David and Toby turn back after starting


up the mountain, and once again David is unsuccessful at


climbing to the top of the symbolic mountain. He is frustrated


when Toby says that “It isn’t like it was a real mountain


…What makes it so wonderful?” (Buckler, 138). David is

>

looking for understanding from the outsider Toby, and doesn’t


receive it. The mountain, or misunderstanding of it shows how


different Toby and David are and how David’s ambitions and


dreams seem small, and are not understood by Toby. David’s


desire to leave the Annapolis Valley and dreams of fulfilment


seem to pale, or seem unrealistic – “the thought of the


mountain went as lint-gray as the toes of his larrigans in


November slush.” (Buckler, 139)- when the “wordily” boy from


Halifax comments on the mountain.


Dave enters the world of a young adult through


heartbreaking circumstances : his girlfriend dies and he feels


somehow responsible, sleeps with his girlfriend’s mother and


tries (unsuccessfully) to leave home . Yet, his “childish


excitement” (Buckler, 168) about the mountain remains.


Joeseph, David’s father, suggests he and his son, now 19, and


the rest of the family, go to the top of the mountain in


search of a large tree for a keel. The mountain is finally


resurfacing in David’s mind after the string of bad


circumstances, and the mountain shows us that David is


beginning to hope again. He wonders why, “though he was


nineteen he’d never been to the very top yet.” (Buckler, 168).


They begin their trek up the mountain, but are stopped again


by returning Toby and Anna, and it becomes another failed


attempt -in Toby’s new car – to reach the top of the mountain.


The mountain illuminates the separateness beginning in David.


David believed that if he ” had been going to the top of the


mountain with his family


alone , their bond would have been the trip” (Buckler, 172),


and that with Toby “that he could have shared toby’s


excitement : not because of the mountain…but the car”


(Buckler, 172). David is left unfulfilled and wanting


more.Climbing the mountain alone never enters his mind at this


point. He feels separate and cut off from his family, as


though he “had to keep up a balancing act ” (Buckler 178) to


keep everyone happy. The mountain therefore shows david’s


inability to be content or fulfilled, as he has to act or


“balance” in the presence of his family , but David is still


clinging to the hopes that the mountain represent.


In the final stages of David’s short life, his adulthood,


he recognises the dual nature of the mountain. His Illness and


his father’s death trap him into the monotonous life of a


farmer, where “his thoughts clung low to his brain, like the


clouds that curled above the mountain.” (Buckler, 221) His


inability to act, and his beliefs that he can still attain his


dreams are shattered. David sets out, determined to climb his


mountain, and his “tendrils of thought begin to curl outward”


(Buckler 280). David begins his final trek to the top of the


mountain, this time “absolutely alone “(Buckler, 281). He


experiences a mental breakthrough of sorts, and recognises his


dreams and inability to attain them for what they are. He is


seized with a new positive outlook, and believes that he can


“live again … and begin again” (Buckler 182). “The Shape


and colour reach out to him like voices” (Buckler , 281) and


David sees the faces of everyone he knows on his journey up


the mountain, forgiving each one :”all the faces there were


everywhere else in the world, at every time waited for him”


(Buckler, 289). The mountain, as a symbol of his, is no


longer unsurmountable, in David’s mind. This new awakening is


ironic and “as he raised his head and saw that he was at the


very top of the mountain”(Buckler 291), simultaneously telling


himself he will “tell them just as they are, but people will


see there is more to them than the side that shows” (Buckler,


294), David drops dead. David’s old ideals about his dreams,


represented by the mountain, are back just before his death.


The book ends with David as a “grey body falling swiftly


….exactally down over the far side of the


mountain.”(Buckler, 296).


David, ironically, reaches his goal in death. He sees


everything, as he Told toby he would in his childhood, at the


top of the mountain. The mountain followed David throughout


his short life, as a symbol for his dreams and desire to


become-or be-somewhere beter as a child , as his desire to


leave as an adolescent, and as the realization that he is


trapped – inable to leave – in his adult life. Each of


David’s dreams were realized in his death, through the


influence of the mountian.The book David longed to write down


when he finally reached the top can also be read – the


portrait of the people that he yearned to write is the novel


itself, The Mountian and the Valley.

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