РефератыИностранный языкOrOrdinary People Essay Research Paper Ordinary People

Ordinary People Essay Research Paper Ordinary People

Ordinary People Essay, Research Paper


Ordinary People by Judith Guest is the story of a


dysfunctional family who relate to one another through a


series of extensive defense mechanisms, i.e. an unconscious


process whereby reality is distorted to reduce or prevent


anxiety. The book opens with seventeen year old Conrad,


son of upper middle-class Beth and Calvin Jarrett, home


after eight months in a psychiatric hospital, there because he


had attempted suicide by slashing his wrists. His mother is a


meticulously orderly person who, Jared, through projection,


feels despises him. She does all the right things; attending to


Jared’s physical needs, keeping a spotless home, plays golf


and bridge with other women in her social circle, but, in her


own words "is an emotional cripple". Jared’s father, raised in


an orphanage, seems anxious to please everyone, a


commonplace reaction of individuals who, as children,


experienced parental indifference or inconsistency. Though a


successful tax attorney, he is jumpy around Conrad, and,


according to his wife, drinks too many martinis. Conrad


seems consumed with despair. A return to normalcy, school


and home-life, appear to be more than Conrad can handle.


Chalk-faced, hair-hacked Conrad seems bent on


perpetuating the family myth that all is well in the world. His


family, after all, "are people of good taste. They do not


discuss a problem in the face of the problem. And, besides,


there is no problem." Yet, there is not one problem in this


family but two – Conrad’s suicide and the death by drowning


of Conrad’s older brother, Buck. Conrad eventually


contacts a psychiatrist, Dr. Berger, because he feels the "air


is full of flying glass" and wants to feel in control. Their initial


sessions together frustrate the psychiatrist because of


Conrad’s inability to express his feelings. Berger cajoles him


into expressing his emotions by saying, "That’s what happens


when you bury this junk, kiddo. It keeps resurfacing. Won’t


leave you alone." Conrad’s slow but steady journey towards


healing seems partially the result of cathartic revelations


which purge guilt feelings regarding his brother’s death and


his family’s denial of that death, plus the "love of a good


woman. Jeannine, who sings soprano to Conrad’s tenor…"


There is no doubt that Conrad is consumed with guilt, "the


feeling one has when one acts contrary to a role he has


assumed while interacting with a significant person in his life,"


This guilt engenders in Conrad feelings of low self esteem.


Survivors of horrible tragedies, such as the Holocaust,


frequently express similar feelings of worthlessness. In his


book, "Against All Odds", William Helmreich relates how


one survivor articulates a feeling of abandonment. "Did I


abandon them, or did they abandon me?" Conrad expresses


a similar thought in remembering the sequence of events


when the sailboat they were on turned over. Buck soothes


Conrad saying, "Okay, okay. They’ll be looking now, for


sure, just hang on, don’t get tired, promise? In an imagined


conversation with his dead brother, Conrad asks, "’Man,


why’d you let go?’ ‘Because I got tired.’ ‘The hell! You never


get tired, not before me, you don’t! You tell me not to get


tired, you tell me to hang on, and then you let go!’ ‘I couldn’t


help it. Well, screw you, then!’" Conrad feels terrible anger


with his brother, but cannot comfortably express that anger.


His psychiatrist, after needling Conrad, asks, "Are you


mad?" When Conrad responds that he is not mad, the


psychiatrist says, "Now that is a lie. You are mad as hell."


Conrad asserts that, "When you let yourself feel, all you feel


is lousy." When his psychiatrist questions him about his


relationship with his mother, Calvin says, "My mother and I


do not connect. Why should it bother me? My mother is a


very private person." This sort of response is called, in


psychological literature, "rationalization". We see Conrad’s


anger and aggression is displaced, i.e. vented on another, as


when he physically attacked a schoolmate. Yet, he also turns


his anger on himself and expresses in extreme and dangerous


depression and guilt. "Guilt is a normal emotion felt by most


people, but among survivors it takes on special meaning.


Most feel guilty about the death of loved ones whom they


feel they could have, or should have, saved. Some feel guilty


about situations in which they behaved selfishly (Conrad held


on to the boat even after his brother let go), even if there


was no other way to survive. In answer to a query from his


psychiatrist on when he last got really mad, Conrad

>

responds, "When it comes, there’s always too much of it. I


don’t know how to handle it." When Conrad is finally able to


express his anger, Berger, the psychiatrist says to Calvin,


"Razoring is anger; self-mutilation is anger. So this is a good


sign; turning his anger outward at last." Because his family,


and especially his mother, frowns upon public displays of


emotion, Conrad keeps his feelings bottled up, which further


contributes to depression. Encyclopedia Britannica, in


explicating the dynamics of depression states, "Upon close


study, the attacks on the self are revealed to be unconscious


expressions of disappointment and anger toward another


person, or even a circumstance…, deflected from their real


direction onto the self. The aggression, therefore, directed


toward the outside world is turned against the self." The


article further asserts that, "There are three cardinal


psychodynamic considerations in depression: (1) a deep


sense of loss of what is loved or valued, which may be a


person, a thing or even liberty; (2) a conflict of mixed


feelings of love and hatred toward what is loved or highly


valued; (3) a heightened overcritical concern with the self."


Conrad’s parents are also busily engaged in the business of


denial. Calvin, Conrad’s father, says, "Don’t worry.


Everything is all right. By his own admission, he drinks too


much, "because drinking helps…, deadening the pain". Calvin


cannot tolerate conflict. Things must go smoothly.


"Everything is jello and pudding with you, Dad." Calvin, the


orphan says, "Grief is ugly. It is something to be afraid of, to


get rid of". "Safety and order. Definitely the priorities of his


life. He constantly questions himself as to whether or not he


is a good father. "What is fatherhood, anyway?" Beth,


Conrad’s mother, is very self-possessed. She appears to


have a highly developed super-ego, that part of an


individual’s personality which is "moralistic…, meeting the


demands of social convention, which can be irrational in


requiring certain behaviors in spite of reason, convenience


and common sense". She is furthermore, a perfectionist.


"Everything had to be perfect, never mind the impossible


hardship it worked on her, on them all." Conrad is not unlike


his mother. He is an overachiever, an "A" student, on the


swim team and a list-maker. His father tells the psychiatrist,


"I see her not being able to forgive him. For surviving,


maybe. No, that’s not it, for being too much like her." A


psychoanalyst might call her anal retentive. Someone who is


"fixated symbolically in orderliness and a tendency toward


perfectionism". "Excessive self-control, not expressing


feelings, guards against anxiety by controlling any expression


of emotion and denying emotional investment in a thing or


person. "She had not cried at the funeral…. She and Conrad


had been strong and calm throughout." The message of the


book is contained in Berger’s glib saying that, "People who


keep stiff upper lips find that it’s damn hard to smile". We


see Conrad moving toward recovery and the successful


management of his stage of development, as articulated by


Erikson, "intimacy vs. isolation". At story end, his father is


more open with Conrad, moving closer to him, while his


mother goes off on her own to work out her issues. Both


trying to realize congruence in their development stage


(Erikson), "ego integrity vs. despair". An Introduction to


Theories of Personality, Hergenhahn, B.R., Prentice Hall,


New Jersey, 1994, page 60. Psychology, The Science of


Behavior, Carlson, Neil R., Simon & Schuster, MA, 1984,


page 481. Ordinary People, Guest, Judith, p. 253


Psychology Today, An Introduction, Bootzin, R.R., Bower,


G.H., Zajonc, R.B., Random House, NY, 1986, page 464.


Ordinary People, page 4. ibid, p. 116 ibid, p. 118 Carlson,


Neil R., page 393. Time, July 19, 1976, p.68 Hergenhahn,


page 481. Carlson, Neil R., page 484. Against All Odds,


Helmreich, William B., Simon & Schuster, New York, NY,


1992, p. 134. Guest, p. 217. Guest, p. 218. Guest, page


98. Guest, page 116. Guest, page 97. Bootzin, et. al., page


459. Bootzin, et al., page 459. a psych. book, p. Helmreich,


p. 234. Guest, p. 100. Guest, page 190. Encyclopedia


Britannica, Vol. 7, p. 269. ibid, p. 269. Guest, page 30.


Guest, page 59. Guest, page 114. Guest, Page 127. Guest,


page 173. Guest, page 8. Guest, page 26. Bootzin, et. al.,


pp. 457-460. Guest, page 89. Guest, page 147.


Hergenhahn, page 40. Ibid, page 147. Guest, page 204.


Guest, page 225. Bootzin, et. al, page 467. Ibid, page 467.

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