РефератыИностранный языкCoCopmparing Catcher In The Rye And Pygmalion

Copmparing Catcher In The Rye And Pygmalion

And Their Themes Essay, Research Paper


Comparing Catcher in the Rye and Pygmalion and the


Themes They Represent In J. D. Salinger?s novel The


Catcher in the Rye, the main character, Holden Caulfield,


muses at one point on the possibility of escaping from the


world of confusion and ?phonies? while George Bernard


Shaw?s main character of Pygmalion, Eliza Dolittle,


struggles to become a phony. The possible reason for this


is that they both come from opposite backgrounds. Holden


is a young, affluent teenager in 1950?s America who


resents materialism and Eliza Dolittle is a young, indigent


woman who is living in Britain during the late 1800?s trying


to meet her material needs and wants. These two seemingly


opposite characters do in fact have something in common:


they, like every other person, are in a constant pursuit of


happiness. This commonality is the basis for the themes


these two stories present. Some of these themes go


unconsidered and this leads to many misunderstandings in


the world. This is why Pygmalion and Catcher in the Rye


are not just stories but, in fact, lessons that are presented in


their themes. These themes teach that being middle or


upper class does not guarantee happiness, treating others


with good manners and equality are important, and


pronunciation and terminology can ?put you in your place?


in terms of class. Throughout the world?s history,


pronunciation and the way a language is spoken indicates


one?s place in society. This is quite apparent in Pygmalion.


Eliza is a classic victim of being ?put into her place? based


on the way she speaks. She goes to Professor Higgins in


hope that he will give her lessons on how to speak in a


more refined. She says she wants ?to be a lady in a flower


shop stead of sellin at the corner of Tottenham Court


Road. But they won?t take me unless I can talk more


genteel? (23). This is precisely why she comes to Henry


Higgins. He knows quite a bit about the study of speech. In


fact, he is a professor of phonetics. He can ?pronounce one


hundred thirty vowel sounds? and ?place any man within six


miles? of their homes (15). Sometimes he can even place


them within two streets of their homes. When Eliza hears


this, she decides to take advantage of Higgins? ability and


take lessons from him. She learns a new form of speech


and this newfound way of speaking helps to pass her off as


a duchess at an opera. Holden?s speech also manages to


categorize him: not class-wise, but rather age-wise and


personality-wise. He captures the informal speech of an


average intelligent adolescent. This speech includes both


simple description and cursing. For example, in the


introduction, Holden says, ?They?re nice and all,? as well


as, ?I?m not going to tell you my whole goddam


autobiography or anything? (1). The term ?nice? is an


extremely broad term Holden uses to characterize his


parents. He does not want to disrespect them yet he does


not feel right praising them either. This opening to Holden?s


story shows Holden?s unwillingness to share his views.


However, this gradually changes and he opens up. He uses


the terms ?and all? and ?or anything? regularly throughout


the novel and because not everyone speaks like this, these


terms make Holden?s speech unique. Holden also feels he


has to confirm what he is saying because he does not quite


believe himself. For example, he says, ?I?m a pacifist, if you


want to know the truth? (26). When Holden is particularly


angry, he swears more often. He says ?That guy Morrow is


about as sensitive as a god dam toilet seat? (55). His


inability to properly communicate without have to rely on


profanity to express himself shows Holden as a boy


suffering from what some might call ?teenage angst.?


Holden, however, rarely shows his angst publicly. For the


most part, he is composed in front of people; especially


adults and strangers. If annoyed about something, he


manages to say what he thinks in such a polite, disguised


way, the people he talks to do not even notice. Holden


believes in manners and treating everyone equally. Before


Holden leaves for Christmas Break, Mr. Spencer invites


him to his house and asks about what the headmaster, Dr.


Thurmer, said to him. Holden replies that Dr. Thurmer


spoke of life being a game, and that one should play it


according to the rules (8). Holden shows no animosity


about Dr. Thurmer?s speech. He accepts it as part of the


educator?s duty even though he knows that life is only a


game if you are on the right side, where all the ?hot-shots?


are. Mr. Spencer also lectures and proceeds to go through


Holden?s history exam with him. Holden did poorly both in


class and on the exam and feels guilty because Mr.


Spencer is infatuated with history. Holden tells his teacher


that he enjoys listening to his lectures in class but he didn?t


care much for history because he ?doesn?t want to hurt his


feelings? (11). Robert Ackley, the boy living in the room


next to Holden and Ward Stradlater, Holden?s roommate


at Pencey Prep, are seemingly exact opposites of each


other. Ackley is a boring, homely loner while Stradlater is


an exiting, handsome athlete. However, Holden sees them


as being quite similar. Primarily, they are both slobs.


Ackley is a blatant slob: ?He has lousy teeth [?] they


always looked mossy and awful? and ?he had a lot of


pimples (19) while Stradlater is a ?secret slob. He always


looked all right, but you should?ve seen the razor he shaved


himself with [?.] rusty as hell and full of lather and hairs?


(27). They are also uncaring and self-absorbed. For


example, Stradlater does not care about Holden?s feelings


for Jane Gallagher. After the two fight about her, Holden


goes to Ackley?s room to talk. Ackley keeps telling Holden


to be quiet and go to sleep even though Holden always


listens to his problems. Holden also condemns a former


headmaster who is especially courteous to well-dressed,


well-to-do parents and less courteous, to less sophisticated


and powerful parents. This disgusts Holden and he resents


that someone he is supposed to respect is such a prime


example of the materialistic society he lives in. Eliza also


believes that all people should be treated equally. Including


herself, she greatly dislikes the patronizing way people of


low-class society are treated by people of high-class


society. In an attempt to equal herself with others in


society, Eliza wants to take lessons on how to ?talk more


genteel? (23). Even though she has virtually no money, she


insists to Henry Higgins and Colonel Pickering that she has


?come to have lessons, I am. And pay for em too: make no


mistakes? (23). She does not believe that she should be


given any special considerations just because she cannot as


readily afford the lessons as others. These lessons, she


believes, will change her life and she will then be a happier


person. In the beginning of Pygmalion, Eliza is a young


low-class woman selling flowers on the street corner so


that she can make enough money to survive. Even though


this is the only way of living she knows, Eliza sees that there


is more out there and she does not have to be a low-class


woman forever. She wants more out of life and will not


allow herself to be stomped on by others. She is a very


proud person and when Henry Higgins orders his maid,


Mrs. Pearce, to ?take all of her clothes off and burn them,?


Eliza replies angrily, ?you?re no gentleman, you?re not, to


talk of such things. I?m a good girl, I am? (27). The burning


of her old clothes marks the beginning of a series of


changes for Eliza. In the hopes of achieving a ?better? life in


high-class society, she must say good-bye to everything she


knows and this she does with mixed emotions. After her


transformation, though, she discovers that life is not as


wonderful as she thought it would be. Eliza realizes that


so-called ?proper? people have problems as well. Now


that she has achieved her goal, she does not know what


she is going to do with her life. She does have secret hopes


of marrying Henry Higgins, however, but these hopes are


destroyed during a fight in which he reveals to her that he


has no intentions of marrying her. He tells her she ?might


marry, you know. You see Eliza, all men are, not confirmed


old bachelors like me and the Colonel. Most men are the


marrying sort (poor devils)? (77). After this realization hits,


Eliza leaves Professor Higgins? home. Soon after, she gets


involved with Freddy Eynford Hill, a poor but classy,


intelligent gentleman. He is clearly in love with Eliza and


they marry. From this point on, they live a simple life,


working in their own flower shop. Throughout her


transformation, Eliza loses sight of her original goal which is


to own a flower shop. She begins to think she needs more


to b happy. Ironically, however, at the point in her life when


she has the most materially, is the point she is unhappiest.


This is not to say that she resents all that she has learned


because now she realizes that achieving her original goal is


all she needs. Holden presents this theme in a different way


than Eliza. At the beginning of the novel, he states that he


does not want to explain ?where I was born, and what my


lousy childhood was like, and how my parents were


occupied and all before they had me, and all that David


Copperfield king of crap (1). Even though he comes from


an affluent family from NYC, he has problems of his own.


He does not live a free and easy lifestyle, as some would


expect. In fact, the life he leads could typically be expected


by society to be that of someone of a lower class. For


example, he is repeatedly expelled from schools for poor


achievement. In an attempt to deal with his latest expulsion,


he leaves school a few days prior to the end of term, and


goes to New York to ?take a vacation? before returning


home to deal with his parents. Throughout his journey


home, he describes bouts of deep depression, impulsive


spending and erratic behaviour prior to his nervous


breakdown. Despite his material wealth, Holden does not


appreciate what he has; he feels guilty. For example, his


roommate at Elkton Hills, Dick Slagee had very


inexpensive suitcases. ?He used to keep them under the


bed, instead of on the rack, so that nobody would see them


standing next to mine. It depressed holy hell out of me, and


I kept wanting to throw mine out or something, or even


trade with him? (108). Holden is a prime example that all


people are human beings; one is not any better than another


based on which position in society they hold. He is not


pretentious because of his wealth, but actually, if a


comparison of the two is going to be made, Holden is of a


higher class than Eliza but he leads a more melancholy life


than she. Therefore, wealth does not create happiness.


These two authors, J .D. Salinger and George Bernard


Shaw have created two stories that are effective in many


different ways. They are not only great literary pieces of


work written with great intelligence but they are also geared


toward the average reader. This method of creating a story


that virtually anyone can read and find interest in is a great


way to attract readers. When readers are attracted, the


authors? messages get across much more clearly and to a


larger number of people. When Catcher in the Rye and


Pygmalion were written, the authors had the same themes


in mind. These themes provoke thought and when thought


is provoked, many good things can happen. For example,


people can realize what they are doing wrong and change


their ways. As these stories show, being middle or upper


class does not guarantee happiness, being well mannered


and treating people equally is important, and people should


not always be judged based on the way they speak. If


people read these stories and realize that they are not just


great literary works but also important messages, much


more can be learned than the mechanics of writing. If


people begin to take these themes and apply them to


everyday life, these stories could be considered more than


just literature

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