РефератыИностранный языкNoNorse Mythology Essay Research Paper name

Norse Mythology Essay Research Paper name

Norse Mythology Essay, Research Paper


name = Monica McKirdy


email = monicam@proaxis.com


publish = yes


subject


= MYTHOLOGY


title = Norse Mythology


papers = The book entitled “Norse


Mythology” by Karl


Mortensen, is the book I chose to read for my first


book report for this semester. The book was


translated from the Danish


by A. Clinton Crowell.


Karl Mortensen was a doctor of philosophy whom


attended the University of Copenhagen.


The first part of the book is


the general


introduction. Here, you find the author’s meaning


of “Norse


mythology” and where he got his


information. He says,


By “Norse mythology” we mean the


information


we have concerning the


religious conceptions and usages


of our


heathen forefathers, their faith and


manner of worshipping the gods, and also


their legends and songs


about the gods


and heroes. The importation of


Christianity drove out the old heathen


faith, but


remnants or memories of it


long endured in the superstitious


ideas


of the common people, and can even be


traced


in our own day.


In the general introduction, the author tells


us why we teach Norse mythology. He tells us that


for us, Norse mythology


has in any case the


advantage of being the religion of our own


forefathers,


and through it we learn to know that


religion. This is necessary if we


wish to


understand the history and poetry of our antiquity


and to comprehend


what good characteristics and


what faults Christianity encountered when


it was


proclaimed in the North. Finally, it is necessary


to know the


most important points of the heathen


faith of our fathers in order to appreciate


and


enjoy many of the words of our best poets.


“Norse Mythology”


is comprised of four main


sections. The first section contains the creation


myth, which is extremely confusing because it talks


about brother’s


aunt’s cousin’s children from


second marriages and what importance they


were in


those golden times. It’s quite hard to understand,


and I had


to read it over twice to make sure I


understood. The second part of the


first section


discusses the creation of the gods and the stories


of


their lives. And the last part is entitled


Ragnorak, which stands for the


enemies of the gods.


All of this was quite interesting to read.


The second section of the book talks about


common popular belief. It says


that our


forefathers, like other heathen people, found one


of the plainest


proofs of the soul’s independence


of the body and its ability to take a


hand in the


affairs of living men in the nightmare and dream,


as they


lacked all other means of explaining those


things. They therefore took


it for granted that


they were spirits, usually in the form of animals


or men. Through the smallest crack or crevice the


nightmare slips to the


sleeping one, and torments


and troubles him so sadly that he becomes ill


or


that it causes his death. It is felt as an


oppressing weight upon


the breast or throat; the


mare “treads” or “rides” the sleeping one from


his


legs up to his body and thrusts his tongue into the


victim’s throat


to hinder him from crying out. The


Northern people have clung this very


day to their


belief in the “mare” as a supernatural female


being, and


many legends about it have arisen. A


“mare” can slip out only by the same


way that it


came in; if one stops up the opening, it is caught.


The


same thing happens if one names its name.


In the Ynglinga Saga


it is told of


King Vanlandi, who had betrayed his


Finnish bride, Drifa, that he in


punishment


for that had been killed by a


‘mare’ with which the magic arts


of the


Finns had tormented him. He became


suddenly sleepy and lay down to rest,


but when he had slept


a little he cried


that a ‘mare’ was treading him. The


king’s men hastened to his assistance,


but when they


turned to his head, the


‘mare’ trod upon his legs so that they


were nearly broken, and if they went to


the legs,


she was directly occupied at


the head; and so the king was actually


tortured to death.


Also found in the second section


are chief gods


and myths of the gods. Here, there are stories told


of Thor, Odin, Frey and Njorth, Heimdall and


Baldur, and Loki. It comments


on the various


thresholds crossed by these great gods, and the


things


that they accomplished.


The third section is rather short, but it is


solely focused on the forms of worship and


religious life. It tells


of the Norse temples, or


Hofs, which means in general “a holy place.” The


Hofs were large square, occasionally round, houses,


built in the same


style and of the same kind of


material as the common dwelling houses.


Just inside the door of the Hof


stood the posts of the high seat, in


which were fixed


great nails, but the


meaning of these is not known. At the


opposite end (the Korrunding or apse)


stood


the images of the gods, and in


front of them or under


them the


splendidly ornamented Stall, which one


of the Icelandic sagas compares with the


Christian altar.


Upon its iron-covered


upper side burned the sacred fire which


must never be extinguished, and there


also lay


the open silver or gold ring


upon which all oaths must be sworn.


The


ring was moistened in the blood of the


victim,


and on all festive occasions the


Gothi had to wear it upon his


arm. Upon


the Stall stood also a large copper bowl


with a sprinkler (hlautbolli and


hlauttein). In the


bowl the blood of the


victim_animal or man_was caught and


sprinkled over those who were present.


The Stall


also, perhaps the whole


interior of the temple, was reddened


with it. The statues of the gods were


most often


clumsy images carved from


wood, and were set up on the Stall


or


upon a pedestal, and dressed in


accordance


with the festal costume of


the period. That there was always


a


hammer in the hand of Thor’s image there


can


be no doubt.


The last section of the chosen book is full of


hero sagas. You’ll find the stories of The


Volsungs, the Helgi sagas, Volun


the Smith, The


Hjathningar, and Beowulf. These are great stories


that


beautifully follow the hero cycle.


The conclusion of the book talks


about how


these stories reflect on us. It comments on our


strengths


and our weaknesses. It also refers to the


people’s beliefs concerning death,


courage,


respect, and faith.


I absolutely love this book. It’s extremely


old_copyright 1913! It really made me look deep


into myself. I am of


Norwegian origin and it was


quite interesting to learn about what my


forefathers believed and how they worshipped. My


absolute favorite Norse


hero has to be Thor. He


represents power. He’s extremely powerful and


courageous. He also doesn’t have too much


compassion for his enemies.


He never hesitates to


crush them with his almighty hammer. Thor is my


hero_let his stories live long!


[Do I recommend the book?


Absolutely.


You can find it at


the OSU library. It's on the


main floor and the call


number


is BL860. Be careful with it,


though, the pages are falling


out.]


Bibliography


u Mortensen, Karl. “Norse Mythology.” Thomas


Y. Crowell


Company, New York, NY. 1913.

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