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All Quiet On The Western Front Alienation

All Quiet On The Western Front: Alienation Essay, Research Paper


All Quiet on the Western Front: Alienation


According to the Webster’s New World College Dictionary, alienation is 1.


Separation, aversion, aberration. 2. Estrangement or detachment. 3. Mental


derangement; insanity.


The theme of All Quiet on the Western Front is about how World War I


destroyed a generation of young men. It has taken from them the last of their


childhood years, it has destroyed their faith in their elders, it has taught


them an individual life is meaningless–and all it has given in return is the


ability to appreciate basic physical pleasures. According to Paul, though, the


men haven’t entirely lost human sensitivity: they’re not as callous as they


appeared in Chapter 1, wolfing down their dead companions’ rations. It’s just


that they must pretend to forget the dead; otherwise they would go mad.


Remarque includes discussions among Paul’s group, and Paul’s own


thoughts while he observes Russian prisoners of war (Chapters 3, 8, 9) to show


that no ordinary people benefit from a war. No matter what side a man is on, he


is killing other men just like himself, people with whom he might even be


friends at another time.


But Remarque doesn’t just tell us war is horrible. He also shows us that


war is terrible beyond anything we could imagine. All our senses are assaulted:


we see newly dead soldiers and long-dead corpses tossed up together in a


cemetery (Chapter 4); we hear the unearthly screaming of the wounded horses


(Chapter 4); we see and smell three layers of bodies, swelling up and belching


gases, dumped into a huge shell hole (Chapter 6); and we can almost touch the


naked bodies hanging in trees and the limbs lying around the battlefield


(Chapter 9).


The crying of the horses is especially terrible. Horses have nothing to


do with making war. Their bodies gleam b

eautifully as they parade along–until


the shells strike them. To Paul, their dying cries represent all of nature


accusing Man, the great destroyer.


In later chapters Paul no longer mentions nature as an accuser but seems


to suggest that nature is simply there–rolling steadily on through the seasons,


paying no attention to the desperate cruelties of men to each other. This, too,


shows the horror of war, that it is completely unnatural and has no place in the


larger scheme of things.


The betrayal of the young by their elders becomes an issue on several


occasions. In the first two chapters of the book we learn how misguided Paul was


by the teachings of parents and schoolmasters. We also see how older people


cling to the Prussian myth of the glory of military might when Paul goes home on


leave in Chapter 7. The Kaiser’s visit in Chapter 9 adds some hints of


Remarque’s specific disillusionment with the leaders of his own country. From a


broad study of literature and world history, we can see that these older people


were not individually to blame for their views. They were simply handing on what


was handed on to them. Still, we can also understand why Paul and his friends


are so bitterly disappointed and so angry to discover that their elders were


wrong. Most readers feel a little sad that young men should consider the act of


ridiculing adults their greatest goal in life, but we can also understand why


they take revenge on Himmelstoss and Kantorek (Chapters 3 and 7). We even get a


certain kick out of what they do, understanding their need to take out their


disappointment on someone they know. These situations are, in miniature, an


acting out of the bitter anger and disillusionment Paul feels when he says in


Chapter 10, “It must all be lies and of no account when the culture of a


thousand years could not prevent this stream of blood being poured out.”


35a

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