РефератыИностранный языкDaDavid Herbert Lawrence Essay Research Paper David

David Herbert Lawrence Essay Research Paper David

David Herbert Lawrence Essay, Research Paper


David Herbert Lawrence As a twentieth century novelist, essayist, and poet, David


Herbert Lawrence brought the subjects of sex, psychology, and religion to the


forefront of literature. One of the most widely read novels of the twentieth century,


Sons and Lovers, which Lawrence wrote in 1913, produces a sense of Bildungsroman1,


where the novelist re-creates his own personal experiences through the protagonist


in (Niven 115). Lawrence uses Paul Morel, the protagonist in Sons and Lovers,


for this form of fiction. With his mother of critical importance, Lawrence uses


Freud’s Oedipus complex, creating many analyses for critics. Alfred Booth


Kuttner states the Oedipus complex as: “the struggle of a man to emancipate


himself from his maternal allegiance and to transfer his affections to a woman


who stands outside the family circle” (277). Paul’s compromising situations


with Miram Leivers and Clara Dawes, as well as the death of his mother, display


the Oedipus complex throughout Sons and Lovers. At an adolescent age, Paul’s


oedipal love towards his mother is compromised by a young lady named Miram Leivers.


This profound situation puts Paul to the emotional test of Oedipal versus physical


love. As Kuttner goes on to state: “Paul’s admiration for his mother


know no bounds; her presence is always absorbing. Often at the sight of her, ‘his


heart contracts with love’” (278). Paul’s maternal relationship


defines the Oedipus complex. Miram pulls Paul away from his mother, while Paul’s


mother, Gertrude, sees Miram as a threat to her son. Paul, even though Miram is


around, still will not commit totally to her because of the strong ties between


mother and son. Paul says to his mother, “I’ll never marry while I’ve


got you – I won’t…” (Lawrence 240). Lawrence wrote frequently


of Paul’s love belonging to his mother and only his mother (212). Though


Miram Leivers could not truly find Paul’s heart, another woman named Clara


Dawes provides more stress on Paul’s maternal relationship. Although Paul


loved Clara, he still kept his attraction toward his mother. “Everything


he does is for her, the flowers he picks as well as the prizes he wins at school.


His mother is his intimate and his confidant” (Kuttner 278). Clara tried


desperately to win Paul over, but her social sophistication was too much for him.


Paul tells his mother: “I don’t want to belong to the well-to-do middle


class. I like my common people the best. I belong to the common people”


(Lawrence 250). Clara shows frustration with Paul because of his maternal devotion.


Again Lawrence displays the Oedipus complex through Paul to his mother, “And


I shall never meet the right woman as long as you live” (341). Paul’s


Oedipal love would be tested once more by him dealing with the death of his mother.


Paul, though, was tough enough in handling this dilemma. R.P. Draper recognizes


the loss of Paul’s mother as: Their special, private, intimate grief over


the impossible dream, and the magnificence of the woman, and the devotional quality


of Paul’s love, render the deathbed scenes poignant and innocent (292).


The verificatio

n of Kuttner’s statement is seen as Lawrence has Paul react


to her death in this manner: “my love – my love – oh, my love!


My love – oh, my love!” (384). Lawrence also writes of Paul’s


continuing love for his mother: “Looking at her, he felt he could never,


never let her go. No!” (385). Kuttner Implies: “But death has not


freed Paul from his mother. It has completed his allegiance to her. For death


has merely removed the last earthly obstacle to their ideal union” (280).


The love that Paul feels towards his mother would never die. He loves her just


as much when she died as he did when she was still alive. Paul continues life


having a maternal devotion that no other woman would ever be able to fill. Throughout


the novel, Paul is seen as one who lives for his mother. Mark Spilka explains:


“For if Paul has failed in his three loves, he has drawn from them the necessary


strength to live” (293). Sons and Lovers was written with Lawrence almost


defining the Oedipus complex through Paul. With this in mind, Kuttner gives this


insight about the novel: Sons and Lovers possesses this double quality to a high


degree. It ranks high, very high as a piece of literature and at the same time


embodies a theory which it illustrates and exemplifies with a completeness that


is nothing less than astonishing (277). Psychologists of today still accept the


Oedipus complex as a viable explanation for the love and fascination that male


children display towards their mothers. Lawrence successfully created an educational


novel as well as an easily readable and interesting novel. Literary critics tend


to speculate that Sons and Lovers was written by Lawrence as somewhat of an autobiography


centering Paul’s life around his own. Whether or not this is true will never


be determined, though it will continue to remain a favorite topic for critical


analysis for years to come.


Draper, R.P. “D.H. Lawrence


on Mother Love.” Essays in Criticism 8 (1958): 285-289. Rpt. In TCLC. Ed.


Dennis Poupard. Vol. 16. Detroit: Gale, 1985. 293-294. :Kuttner, Aldred Booth.


“Sons and Lovers’: A Freudian Appreciation.” The Psychoanalytic


Review. 3 (1916): 295-317. Rpt. In TCLC, Ed. Dennis Poupard. Vol. 16. Detroit:


Gale, 1985. 277-282. :Lawrence, D.H. Sons and Lovers. New York: Barnes & Noble,


1996. :Niven, Alastair. “D.H. Lawrence.” British Writers. Vol. 7.


1984. 87-126. :Spilka, Mark. The Love Ethic of D.H. Lawrence. (1955): 244. Rpt.


In TCLC. Ed. Dennis Poupard. Vol. 16. Detroit: Gale, 1985. Bibliography **** Works


Cited : **** raper, R.P. “D.H. Lawrence on Mother Love.” Essays


in Criticism 8 (1958): 285-289. Rpt. In TCLC. Ed. Dennis Poupard. Vol. 16. Detroit:


Gale, 1985. 293-294. :Kuttner, Aldred Booth. “Sons and Lovers’: A


Freudian Appreciation.” The Psychoanalytic Review. 3 (1916): 295-317. Rpt.


In TCLC, Ed. Dennis Poupard. Vol. 16. Detroit: Gale, 1985. 277-282. :Lawrence,


D.H. Sons and Lovers. New York: Barnes & Noble, 1996. :Niven, Alastair. “D.H.


Lawrence.” British Writers. Vol. 7. 1984. 87-126. :Spilka, Mark. The Love


Ethic of D.H. Lawrence. (1955): 244. Rpt. In TCLC. Ed. Dennis Poupard. Vol. 16.


Detroit: Gale, 1985.

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