РефератыИностранный языкMyMy Last Duchess Essay Research Paper My

My Last Duchess Essay Research Paper My

My Last Duchess Essay, Research Paper


My Last Duchess


By Robert Browning


In Robert Browning?s monologue poem ?My Last Duchess,? the author


employs many literary techniques to convey the overriding jealous, controlling


demeanor of the persona, the Duke. The poem, through the Dukes careful words,


illustrates that appearances can indeed be deceiving.


In the first line Browning immediately withdraws the persona from the poem,


saying directly to the envoy, and thus the reader ?there?s my last Duchess


painted on the wall? (1). Only four lines later, we are politely invited to


admire the painting: ?Will?t please you sit and look at her?? (5). By


jumping right into the Duke?s comments to the envoy regarding his ?last?


wife?s portrait Browning effectively draws the reader in, as we are enthralled


by the Duke?s courteous demeanor.


??Fr? Pandolf? by design? the Duke says, trying to impress his


audience. Browning invented the name of the artist, and thus the Duke?s


efforts to impress are foiled, since the name is unfamiliar. One explanation for


Browning?s reasons behind the invented name could be to illustrate that the


Duke had been duped. He may have hired the artist under the pretense she was


well known. This is the first major hint towards Browning?s underlying theme?the


Duke may appear to be of haute couture, but we are beginning to suspect we have


been deceived.


Later, after having eloquently spoken, the Duke comments, ?Even had you


skill / In speech?which I have not? (35-36). The false modesty corresponds


with his forged politeness a few lines before. Then, after much discussion of


how certain things his Duchess did ?disgusts? (38) him, and how she would


?miss / Or exceed the mark? (38-39), the Duke collects himself, and brings


us back into his control by adjusting his almost constant fa?ade. ?Will?t


please you rise?? (47) he asks, in the same breath complimenting ?master?s


known munificence? (49). The circle is complete and we once again almost


believe his superficial mask to be true. Through the diction of the Duke,


Browning is able to show how easily one can be blinded by an allusion.


The Duke shows obvious jealousy and resentment towards his belated wife. She


was ?too easily impressed? (23) and she ?thanked men,?good! But thanked?as


if she ranked / My gift of a nine-hundred-year-old name / With anybody?s gift?


(31-33). The Duke

was simply jealous of the Duchess love of life; he wished that


she would smile only for him.


Finally, filled with envious rage, he ?gave commands; / Then all smiles


stopped together? (45-46). By this, Browning gives the initial impression that


the Duchess is now under the control of the Duke, like ?Neptune?/ Taming the


sea-horse? (54-55). Even if one has caught on to the Duke?s falseness


through observance of his diction, superficial understanding of the poem stops


with the belief that the Duke finally has his prize?drawn behind a ?curtain?


for only him, and a few choice people to view on the wall. However, Browning


drives the theme that appearances can be deceiving even deeper.


The Duke places a ?curtain? around the painting to shield the eyes of the


acrylic face from wandering. After all, there is more to the world than a view


of the Duke. ?Fr? Pandolf? (6) attempted to convince the Duke that the only


thing that could be wrong with the Duchess?s portrait is the impossibility to


?reproduce the faint / Half-flush that dies along her throat? (17-18), or


that ?Her mantle laps / Over my lady?s wrist too much? (17). But what the


Duke is haunted by is now a flaw in artistry, but his wife?s enduring, yet


unendearing, gaze. He himself admits, that she looks ?as if she were alive?


(2) in the portrait he must shield from the world, as well as from himself. The


portrait ?stands? (4), unsupported, mimicking how the Duchess stood,


independently, in life.


Much like the bronze god in the statue of ?Neptune?/ Taming the sea-horse?


(54-55), the Duke is frozen forever, trapped by his inability to ever completely


control the Duchess. One may think that the Duke has ?won? and conquered all


by finally having her ?smiles stopped together? (45-56), but much like the


image of himself he tries so hard to convey, the Duke?s battle being over is


far from reality.


The end of the poem is a tragic one, as the cycle continues on. The envoy


understands by the end of the Dukes speech what he wants for his next wife, an


?object? (53) something he can truly control. The Duke knows the envoy will


get him what he wants, as well as an ?ample?dowry? (50-51). This leaves


the ending of the poem somewhat up to the reader. Browning indeed convinces us


that we are easily deceived by appearance, however, whether the Duke will be


successful in his next venture is for us to decide.


325

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