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Arthur Miller And View From The Bridge

My initial reaction to the play was absolutely hideous, and my malcontent was


vibrant. I felt that reading A View From The Bridge was a tedious waste of time


and that the play itself was a trivial piece of literature. I found the play to


be neither intriguing nor interesting in the tiniest fashion. The only aspect


that I found mildly intriguing was the character of the protagonist, Eddie


Carbone, as it miraculously appealed to my passion for psychology.


Unfortunately, this enigma of Eddie?s constitution only guided me through the


first act, where after, I was completely annoyed and jaded. The two-act horror


is centered on the self-delusion of Eddie Carbone, as he is thrust into a


continuously evolving world in which he will not conform. As his environment is


morphing with the times, Eddie feels compiled to halt it, as his pathetic


temperament will not wallow him to cope with the change, or behave in an orderly


fashion. Eddie begins to veil himself from his love for his eighteen-year-old


niece, Catherine, near the commencement of the play, whence he begins to


criticize her and her perfectly normal actions. ?Now don?t aggravate me,


Katie, you are walkin? wavy! I don?t like the looks they?re givin? you


in the candy store. And with them new high heels on the sidewalk — clack,


clack, clack. The heads are turnin? like windmills.?(Page 7) In this quote


we see how Eddie falsely attributes his harshness towards Catherine as


protection, rather than selfishness and his obsession to have her solely to


himself. Another element in Eddie?s constitution is his personal honor, which


he tosses aside whence he takes it upon himself to call the Immigration Bureau


to reveal his nemesis and competitor for Catherine?s love, Rodolpho, to the


police. This is apparent when Alfieri tells Eddie the consequences to him


calling the Immigration Bureau: ?You won?t have a friend in the world,


Eddie! Even those who understand will turn against you, even the ones who feel


the same will despise you! Put it out of your mind.?(Page 66) These aspects


are portrayed thoroughly expansively in this horrible excuse for a play, and


have a strong effect on th

e reader. A View From The Bridge is an unusually


single-minded play and an apparent sense of doom shrouds it. The main ideas are


compiled into one story line, and the play is absent of much needed sub-plots.


In my opinion, these vapid aspects were completely pathetic, yet in an uncanny


manner, extremely human. In one way or another, everyone experiences a hint of


self-delusion or a pinch of personal honor in their everyday lives. I myself am


continually faced with the standing of my own personal honor, especially when


plunged into debates. When faced with such a situation, my own personal honor


becomes a grand old deal, as it disables me form accepting error or fault. Due


to the sense of humanity and realism in Arthur Miller?s catastrophic blunder


of a play, the un-enthused un-amused reader is able to experience a pang of


refreshment. This brief moment of diversion is endured whence they realize that


on some proverbial, undefined level, they are able to connect with the


characters and their emotions and therefore understand the concepts and ideas of


the play. There were many characters in the play that effectively enabled me to


comprehend the subjects of Arthur Miller?s play. For instance the character of


Marco helped me grasp a stronger understanding about personal honor and standing


by your beliefs, as his character exemplified this trait. I also enjoyed the


character of Alfieri, as I found that from his distant pint of view, he


empowered me to understand all the various ideas portrayed in the play from an


unbiased point of view. Though the character of Alfieri aided me the most, I


found the most effective character in the play to be the devil?s spawn


himself, Eddie Carbone, as the play is portrayed mainly through his eyes.


Eddie’s shallow, miserable nature is a powerful, hard-hitting aspect noted


extensively in the play. As per previously mentioned, I despised Arthur


Miller?s A View From The Bridge. The two-act, eighty-six-paged horrendous


nightmare will forever be embedded in my mind as a complete was of time and


effort. I despise this pathetic excuse for English literature and wish for it to


blaze in Hades.

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