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The Dark Side Of Moby Dick Essay

, Research Paper


 The Dark Side of Hawthorne


In The House of the Seven Gables, Nathaniel Hawthorne


exhibits the fate of a family due to a curse by analyzing


the most “disagreeable” secrets of a man’s soul (Great Lives


1077). Hawthorne shows the decay of an aristocratic family


due to the sins of the past. He uses allegory within his


character’s personalities and emotions to expose “the truth


of the human heart” (biography).


Hawthorne’s chosen location for this novel reflects


greatly on his life and specifically his childhood. Salem


is the home of The House of the Seven Gables. Ironically


this is the same town in which he was born in and lived in


through adulthood. He was raised in this town, therefore he


was very aware of the dark side of its past. He was a part


of this past through his ancestors. One of which was a


judge in the infamous Salem witch trials. At this trial


Hawthorne’s uncle is cursed by a so-called witch with the


words, “God will give you blood to drink” (Magill 2736).


This curse is much similar to Matthew Maule’s curse on the


Pyncheon family (Magill 2734). The solitude of his


characters reflects his childhood as well. Growing up, his


2


mother kept herself away from people which led him to become


a very solitary man for much of his life. As a young child


Hawthorne was lamed. During these years he became well


learned with the writings of Edmund Spenser, John Bunyan,


and William Shakespear(CSLF 1570). From these men he has


gained technique and style.


Having lived in Salem most of his life, Hawthorne is


extremely influenced by Puritanism. His writings greatly


reflect this. Hawthorne deals much with the sins of a man


being pasted down for generations. This is very much a


Puritan belief. Puritans are a very superstitious type of


person. Thus, this explains Hawthorne’s belief that a


curse, such as Maule’s curse, can destroy a well-to-do


family (Walker 1577). Hawthorne’s characters dealt with


guilt forced on by their ancestor, much of which goes back


as far as the Puritans. He commonly plays guilt against


innocence within one character, Hepzibah Pyncheon. She


feels strongly that she must maintain the lifestyle and


tradition of her ancestor Colonel Pyncheon. He shows her


many personalities as a demonstration of the “secret


motivations” of the heart (biography). Hepzibah is chained


to the curse by her Puritan ancestors therefore her efforts


to escape are often doomed. When she no longer has the


money to fight the destruction of her blood line she turns


3


to the shop of the past for survival.


The style with which Hawthorne portrays this character


among others is very superstitious, and they deal much with


the evil side of a human being. He often uses a man’s


battle with sin and the devil as a source of controversy


(Great Lives 1077). The Puritan background instilled in him


the reality of the devil and the evil of sinning. In


characters such as Hepzibah he uses evil and pain as a game


(Encyclopedia of World Biography 214). She spends her life


trying to escape from the dreaded Maule’s curse which makes


her suffer in the isolation she has received as a


punishment. Hawthorne emphasizes the imperfection of man


often (Encyclopedia of World Biography). None of his


character are completely good. They all have evil thoughts


at one time or another. His characters must deal with the


dividing line between what is real and what is imaginary


(Great Lives 1077). He focuses on the point that the “truth


of the human heart” cannot be found by any earthly source.


Thus, Hepzibah’s changing personalities display this


question of whom a person really is. Are they good or evil?


Are their actions black or white? This leads into


Hawthorne’s Transcendentalist beliefs.


In the time Hawthorne is writing a movement known as


transcendentalism was affecting literature and art.


4


Hawthorne is known as a dark transcendentalist because he


focuses strongly on the dark and sinful side of human kind.


In The House of the Seven Gables, he focuses on the s

elf-


examination of character which is a significant idea in


transcendentalism (Encarta Encyclopedia). He believes a


human cannot reach the insights of transcendentalism by mere


sensual experience. They must reach a new level of


understanding. This is similar to Hepzibah inability to


understand Clifford reason and state of mind. He has been


alone many years away from daily sin and the darkness of the


evil within the house. It also relates to Hepzibah’s


inability to understand her emotion until Phoebe comes into


the picture. Phoebe helps her to see the light and that not


everything is dark and gloomy. However, Hepzibah still has


to fight a battle with the side of her that wants to remain


hidden and entrapped by the curse of Old Maule.


Transcendentalists speak of the “divine and supernatural


light” (gonzaga 1). The House of the Seven Gables is


haunted with the supernatural and it takes a higher


understanding to break the chains of the curse, Hawthorne


places the light against the dark with Hepzibah the dark,


and Phoebe the light. Hepzibah’s darkness always out powers


Phoebe’s happiness without intension. The darkness


signifies the imperfection of man that transcendentalists


5


believe in.


Hawthorne’s feelings on life alone create the base of


misfortune whether by curse or desire. His writing is often


allegorical and moralistic when dealing with the life of his


characters. They fight moral issues, many dealing with the


loss and possession of money. His characters live a very


isolated life much like his own. In The House of the Seven


Gables loneliness is the punishment Hepzibah pays for the


sin of the Colonel. The pain in the character’s lives comes


from this isolation, however when they try to live among the


people they retreat back into their holes. (WLC 1597).


Hawthorne was identical to this until he met his wife


Sophia. His characters’ pride is the source of their evil.


They fight to hold the lives they lead without the


consideration to modern times. Their lives come into moral


conflict due to human imperfection.


Hawthorne’s transcendentalist views of humanity and his


belief in the devil result in the evil side to his


characters. The curse put upon them from generations back


plagues them in modern time due to their refusal to move on.


Their personalities portray “the truth of the human heart”


(biography).


7


Works Consulted


Clendenning, John “Nathaniel Hawthorne.” The World Book


Encyclopedia. 1995. 114-115.


“The House of the Seven Gables.” Masterplots. Ed. Frank N.


Magill. Vol.5. Englewood Cliffs, 1976, 2734-2738.


“Nathaniel Hawthorne.” Dictionary of Literary Biography.


Ed. Joel Myerson. Vol. 1. Detroit, 1978, 80-101.


“Nathaniel Hawthorne.” Britanica. 1998. 765-766.


“Nathaniel Hawthorne.” *search.biography.com*.


“Nathaniel Hawthorne.” Encarta Encyclopedia. (1997)


*http://encarta.msn.com*


“Nathaniel Hawthorne.” The Critical Temper. Ed. Martin


Tucker. Vol. 4. A Library of Literary Criticism.


Frederick Ungar Publishing, 1979, 509-514.


“Nathaniel Hawthorne.” World Literature Criticism.” Ed.


James P. Draper. Vol. 3. Detroit: Gale Research Inc.,


1992, 1592-1605.


“Nathaniel Hawthorne.” Novels and Novelists : A Guide to


the World of Fiction. Ed. Martin Seymour-Smith.


London : Shuckburgh Reynolds Ltd., 1980, 154-155.


Wagenknecht, Edward. “Nathaniel Hawthorne.” Cavalcade of


the American Novel. New York : Henry Holt and Company,


1952, 90, 9, 20, 25, 38-57.


8


Walker, Ronald G. “Nathaniel Hawthorne.” Critical Survey of


Long Fiction. Vol. 4. Englewood Cliffs : Salem Press,


1983, 1314-1328.


Van Doren, Carl. “Nathaniel Hawthorne.” The American Novel.


Ed. Revised. Vol. 1789-1939. New York : The Macmillian


Company, 1966, 58-83 135-137, 210, 213,


215.


“American Transcendentalism.”


*http://www.gonzaga.edu/faculty/campbell/enl311/amtrans


.htm*


“PAL : Nathaniel Hawthorne.”


*http://www.csustan.edu/english/reuben/pal/chap3/hawtho


rne.html


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