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Dickens And His Stucture Of Hard Times

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Dickens and his stucture Of Hard Times


On every page Hard Times manifests its identity as a polemical work, a critique of Mid-Victorian


industrial society dominated by materialism, acquisitiveness, and ruthlessly competitive capitalist


economics (Lodge 86). The quotation above illustrates the basis for Hard Times.


Charles Dickens presents in his novel a specific structure to expose the evils and abuses of the


Victorian Era. Dickens use of plot and characterization relate directly to the structure on account


that it shows his view of the mistreatments and evils of the Victorian Era, along with his effort to


expose them through literary methods. A befitting display of structure is evident through his


giving name to the three books contained in Hard Times. The titles of the three appropriately


named books are an allusion to the Bible, and are also given a further twist in Gradgrind s


recommendation to Plant nothing else and root out everything else (except facts) (Lodge 91).


In the first book, titled Sowing, we are introduced to those that Dickens creates a firm


character basis with. The opening chapter emphasizes on Thomas Gradgrind Sr., and his students


fittingly referred to as vessels before him ready to have imperial gallons of facts poured into them


until they are filled to the brim (Dickens 12). Gradgrind s methods of education are employed to


show Dickens view on the evil of the educational system. Among the vessels are Bitzter and


Sissy Jupe. They exemplify two entirely different ideas, serving Dickens for allegorical purposes.


Bitzer, the model student of Gradgrind s school of facts, facts, facts becomes the very symbol


of evil in the educational system that Dickens is trying to portray, as he learns to take care for


number one, himself. Reflection of this and Bitzer s informative definition of a horse, as a child in


book one, occurs in book three as he speaks of the necessity of apprehending Tom Gradgrind Jr.


Sissy represents what Dickens is attempting to foster a desire for in the reader, imagination. This


is an aspect that the other children lack or are reprimanded for possessing. Another character


introduced to the reader is Josiah Bounderby, an acknowledged, self-made man. Following him is


Louisa Gradgrind, and her brother Thomas Gradgrind Jr. who are first shown trying to catch a


glimpse of Sleary s circus, only to be caught by there father. Stephen Blackpool is brought into


the novel to represent the honesty, virtue, and commitment of the working class. It is clear that


Dickens is speaking through Stephen… and this sheds light on his idea of what is necessary for


life during those times. As the seeds are sown in book one the reader

becomes aware of the plot


unfolding. The use of the characters takes not only an allegorical purpose, but that of relation.


The characters are endowed with intricate, human like qualities, so that the reader can better


relate. In book two, titled Reaping, Dickens uses the characters to continue to represent the


different aspects of the Victorian Era that he mistrusts. This is demonstrated through the apparent


discord of the marriage of Louisa and her new husband, Bounderby. Stephen is used to illustrate


the frustrations of the working class as they were mistreated by the Utilitarians and the upper


class. Tom Gradgrind Jr., the whelp, is shown to feed of the love of his sister, leaving him to


become nothing more than a robber and a liar. Thomas Gradgrind Sr. becomes a member of the


Parliament to better his social stature. Bounderby continues to grow wealthier in owning a bank


that he mistakenly puts under Tom Gradgrind Jr. Mrs. Sparsit now resides over the bank after


being relieved of her job. The events taking place in book two are a reaping of the initial seeds


sown. Dickens use of structure is preparing the reader for the garnering in book three. Book


three, titled Garnering, is where all of the Utilitarian ideas, that Dickens scorns, begin to fall


apart and fade away. Thomas Gradgrind Sr. is made aware of his misteachings through Louisa s


confession as she collapses at her father s feet declaring, All that I know is, your philosophies


and your teaching will not save me, (Dickens 218). Bounderby is brought down through his


losing Louisa and the disclosure of Mrs. Pegler by Mrs. Sparsit. Sissy and Stephen remain to be


the moral component of Dickens work. Sissy s hold on imagination is proven a necessity of life


and is what the products of the utilitarian education seem to lack. Stephen s portrayal of a


virtuous man of the working class is used to show Dickens idea of a tangible necessity in life. The


voice of social conscience Dickens uses throughout his novel is the structure he wanted to


provide, and is shown obvious through Dickens use of the plot. The downfall of the educational


system in Gradgrind and the exposure of Bounderby displays the utilitarian convictions


destructed. Sissy s endurance and Stephen s death leave them as the heroine and martyr for the


novel, (http://faculty.web.waseda.ac.jp/glaw/arts/IndRels/IndRels.html). It is now evident to the


reader that Dickens attempt at exposing the evils of the Victorian Era through the plot,


characterization, and structure of Hard Times was successful. Works Cited Dickens, Charles.


Hard Times. New York: Penguin Group, 1961. Lodge, David. The Rhetoric of Hard Times. New


York: Columbia University


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