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How And What Is Napster Doing To

Infringe On Copyright Laws? Essay, Research Paper


Re: How and What is Napster doing to infringe on Copyright Laws?


Issue: What is Napster? Why is Napster causing such a commotion? What


are they doing about it?


Napster is the world’s leading file sharing community. The Napster


software (http://www.napster.com), launched early in 1999, allows


internet users to share and download MP3 files directly from any


computer connected to the Napster network. The software is used by


downloading a client program from the Napster site and then connecting


to the network through this software, which allows sharing (uploading


and downloading) of MP3 files between all users connected to the


network. While Napster does not condone copyright infringement, there is


no opportunity in the software to stop this, or for royalties to be paid


to artists whose songs are being duplicated for free. Unlike similar


file-sharing applications (Gnutella, Freenet), Napster limits users to


uploading/downloading of MP3 files only. These files are compressed wave


(.wav) files.


The advantage of MP3 files is that they are approximately one-tenth the


size of the


corresponding .wav file and can be close-to-CD-quality. It is for this


reason that many


artists, record labels and other music industry stakeholders are


concerned by the MP3


file format and applications like Napster that simplify the sharing of


copyrighted


material.


What Napster tries to tell its users is that they are not supposed to


use the files on Napster for any Unauthorized copying, distribution,


modification, public display, or public performance of copyrighted works


is an infringement of the copyright holders’ rights. What has happened


to Napster is a Federal Judge in San Francisco issued an injunction


against Napster, effectively shutting down the popular song sharing


service. The Recording Industry Association of America (RIAA) and the


National Music Publishers Association (NMPA) sued Napster in December


1999, alleging that the service encourages copyright violation, since


Napster allows users to share music files for free. In their motion, the


entertainment industry presented evidence demonstrating ongoing harm to


CD sales, and harm to the emerging legitimate market for downloading


music. Slightly controversially, they also claimed that Napster “leads


to a devaluing of music, as Napster teaches a generation of music


consumers that artists do not deserve to be paid for their work, and


their creative efforts are free for the taking.”


The reaction from recording artists, record labels and other music


industry players has been varied, but primarily anti-Napster. The first


action to be taken against Napster


was by the band Metallica. In April of this year, they sued Napster Inc


for copyright


infringement. The case was settled out of court when Napster agreed to


ban some


300,000 users who had allegedly downloaded Metallica songs. Again in


June Napster Inc


was sued for copyright infringement by The Recording Industry


Association of America


(RIAA), a trade group representing the US recording industry, alleging


“Napster is


enabling and encouraging the illegal copying and distribution of


copyrighted music”.


Napster claims that Audio Home Recording Act that permits copying of


material for


personal use, allows it’s users to swap MP3s. Napster further claims


immunity by defining the company as an ISP under the Digital Millennium


Copyright Act. The RIAA


unsuccessfully applied to have an injunction to stop Napster’s


operations until after the


court case in September, so Napster will continue to operate until (and


if) the

court


rules against Napster.


Other artists and record labels


http://www.napster.com/speakout/artists.html and


http://www.napster.com/speakout/labels.html) have responded to the


advent of


Napster and similar applications in a more positive way, embracing the


new technology


rather than rejecting it. On their website, the Offspring says “MP3


technology and


programs such as Napster are a vital and necessary means to promote


music and


foster better relationships with our fans.” Interestingly enough, the


Offspring’s last


album, Americana, was made available online illegally before


commercially released, yet


it is the band’s best-selling album to date. Besides, a number of


surveys have


proven that Napster users actually buy more CDs, after ’sampling’ the


songs online


(http://www.theregister.co.uk/content/1/12093.html). It is this issue


that is at the


basis of the RIAA lawsuit, whether Napster and similar companies will


mean reduced CD sales. Napster does challenge the traditional


distribution of music (CDs, cassettes, vinyl etc) but whether this


should be viewed as a threat or simply a new medium to be


abused by the music industry is another issue. Some record labels, most


notably


Epitaph (http://www.epitaph.com) have partnered with sites like


e-music.com to sell


full albums and single songs in MP3 format over the web. In this case,


the record


company has in fact gained a new distribution method, rather than seeing


it as the


‘enemy’. Of course, in this scenario, the record company still gets a


cut of the profits,


something that artists’ whose songs are downloaded through Napster don’t


get.


Questions Presented:


1. What is the current status of copyright law in America?


2. How exactly has Napster infringed upon any types of Copyright Laws?


3. What are the possible outcomes that Napster might face?


Analysis:


The Current Status of Copyright Law A copyright provides the creator of


an


intellectual production with ownership and exclusive rights to publish,


print, distribute, or sell the copyrighted material. Intellectual


productions that are eligible for copyright privileges include written


material, written and recorded music, paintings, sculptures,


photographs, movies, videos and video games, computer programs, and many


other mediums of creative expression. To qualify for copyright


protection a work must be creative, exist in physical form, and be


originally produced by the author. A copyright cannot protect ideas,


facts, titles, names, short phrases, or blank forms. Generally,


a copyright is owned by the creator of a work, but


there are some exceptions. If an employee creates a work during the


course of employment, the employer may own the copyright. Likewise, if


an independent contractor creates the work, the copyright may be held by


the commissioning organization. Additionally, if the owner of a


copyright sells the rights to a work, the purchasing party becomes the


copyright owner. In the case that two or more authors


contribute to a joint work, they are considered joint copyright owners


and have equal right to register and enforce the copyright. For works


published after 1977, the copyright is enforceable for the life of the


author plus seventy years. After this time period, the work enters the


“public domain”, and anyone has access to it without infringing on the


copyright. As of March 1, 1989, a published work is automatically


protected as soon as it is created. It is advantageous, however, to


register the work with the U.S. Copyright Office for a number of


reasons.


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